Lisa Call

 
My brain is filled up with construction thoughts and teeth. Art is a priority in my life but this week there isn’t much space for it. It’s hard to say if it’s the construction and getting used to all the equipment in the yard, or if it’s the worry over my son’s mouth, which now has a raging infection after his root canal on tuesday. We’re off to the dentist again today.

Which ever it is, I’ve spent 15 minutes in the studio and haven’t answered emails in a few days. There aren’t a lot of art thoughts bouncing around in my head.

Although today I hope to get back on track a bit. But first work. Then the dentist again. So tonight, after the trick-or-treat at the office.

In the meantime you can be entertained by more construction photos. Day #3 (yesterday) are on smugmug: Construction Photos Day 3. If you read the captions there’s a bit of info about what I’m building and how it fits together.

Yay - construction has begun. Yesterday and today were fun - demolition. The asbestos siding is off the garage and back of the house, the moldy garage was torn down and now they are digging a big pit for the basement.

I’ll be posting a few of the construction photos here and will put all of them on smugmug during the remodel so this blog doesn’t become This Old House. Photos from today are here: Construction Day 2 on SmugMug.

If you read all the captions and notice names - Jim the builder is not the same as Jim the boyfriend. Guess it was the year to bring guys named Jim into my life. Jim the builder was recommended to me by Cynthia after she read a post about me planning a remodel. Thanks Cynthia!

I’ve made no time for art the last few days due to an unplanned root canal for my 16 yr old son this morning. Fingers cross that we are now on the upside of this process of repairing a broken tooth (pellet from an airsoft gun - hurray for boys).

Morning Aspens
by Stacey Peterson
Oil on Panel
9×12″
2008
reprinted with permission by the artist

Being Decisive

I think one reason I get so much done is I’m good at making decisions, meaning that when presented with choices I don’t spend days or weeks or months deciding what to do. I just decide. Then I do it.

When I decluttered my house at the beginning of the year I had no intention of moving at that time. But once the idea that I really could move came to me, I didn’t ponder it forever. I simply decided to move based on how that decision felt to me and within a week I had a Realtor lined up and got to work making it happen. I went from thinking "Hm, maybe I could move" to living in my new house in only 3 months.

One of my strengths is my intuition. I rarely sit down and make lists of advantages and disadvantages of doing something. I just listen to my feelings and pick the choice that feels right and move forward. I do journal and find writing (not list making) helps me listen my desires.

I don’t believe that every decision has a wrong and a right choice. I think there are pros and cons to all choices. So I focus on the positives of my direction and don’t let the negative aspects stop me.

This isn’t to say I don’t sometimes decide my choice wasn’t the best for me. So then I just change my mind and do something else. And once that decision is made then I just move forward in the new direction.

It’s hard to make forward progress and put energy anywhere if I don’t make a decision as to which direction to go. So step one is to decide. When I’m feeling low on energy I often find that I haven’t gotten clear about a decision that needs to be made. Making that decision releases all sorts of energy and starts propelling me towards my future.

If you are feeling like you don’t have the energy to devote to a project are you fully committed and have you truly decided that is the direction you should go? Maybe making a solid decision is the first step in boosting your energy.

Construction Zone

Tomorrow’s the big day - construction on my new studio begins. I spent a large portion of the weekend preparing my house for the event.

First up will be removal of the asbestos siding. Originally I thought I’d do this work myself. Then I decided that was a bit insane so I’ve hired asbestos removal people to do it. Once the siding is gone the builder can start and will begin by ripping the moldy shed off the back of the garage, which will create a pathway, through the garage, for the big digging thing to get to my backyard to dig a basement.

Pictures of the progress will start tomorrow and if things go as intended the artwork will also continue.

Morning Aspens

I love Stacey Peterson’s paintings of the Colorado landscape and have been saving up to purchase one for about a year. When she posted the photo of the above painting on her blog I knew instantly (there’s that intuitive decision making thing) it was the one I wanted and am happy to report it arrived at my house this week.

Stacey’s blog is one of my favorites. She’s my role model: she quit her technical job to support herself with her art and she lives in the Colorado mountains. Plus she’s really organized and hates clutter - my kind of person!

Depending on how messy it gets around here during construction the painting might have to live somewhere else for few months but right now it’s on the wall in my living room and I’m definitely enjoying it.

Now time to start saving up for the next artist’s work I covet.

The Achiever

I am a type 3 on the enneagram, The Success-Oriented, Pragmatic Type:Adaptable, Excelling, Driven, and Image-Conscious. So I come by my energy partly to fulfill all of that success-oriented drive that I have. Definitely that is the upside of being a three, but just like all of the types, there are plenty of downsides.

All the image oriented stuff. Ugh - yeah - at times that can be me. And the "never ever admit you might have a flaw" stuff. Yep - me also.

Threes are excellent at getting things done. I have a ton of energy and am always up for doing stuff. The flip side is I’m less adept and relaxing. This year I made creating space a priority and in addition to my (near) daily yoga practice I look for ways to slow down and relax. Finding a boyfriend that lives in the mountains has been a big help in that direction.

Myers-Briggs Type Indicator

The photo at the top of this post is of 3 new catalog covers that feature images of my artwork (Structures #14, Structures #11 and Structures #46). The catalogs are teaching resources for a company that does a lot of Myers-Briggs training and testing.

I love this personality type stuff so was thrilled with they asked for images earlier this year. I just got the completed catalog covers in the mail this week.

I’m an INTJ the Myers-Briggs world. Which explains all of my planning and list making skills. And my geek side. My natural preference is to be organized and efficient which amplifies my energy as I rarely waste much of it:

INTJs are ambitious, self-confident, deliberate, long-range thinkers. They dislike messiness and inefficiency, and anything that is muddled or unclear. They value clarity and efficiency, and will put enormous amounts of energy and time into consolidating their insights into structured patterns.
…
INTJs have a tremendous amount of ability to accomplish great things. They have insight into the Big Picture, and are driven to synthesize their concepts into solid plans of action.

Playing to Strengths

There are a lot of people that find these personality indicators to be a bunch of junk and admittedly there is no scientific proof they are accurate. But I believe they are useful in helping to identify patterns and preferences and when used to aid in personal growth they can be extremely valuable.

This information can be used to identify the positive parts of my natural inclinations. Knowing what I might be good at is helpful in taking those those strengths and expanding them.

Not an Excuse

Even more helpful is understanding my weaknesses so I have a reference point for how to move forward past those potential road blocks.

It’s easy to read personality type indicators like the enneagram or myers-briggs and use it as a way of staying stuck. Easy to think "Oh well I a _____, might as well accept this is the way I am" and just be that way.

While I don’t think I can change who I am fundamentally, I know I can change my thoughts and my attitude and the past year I’ve done a lot in that direction.

Using these tests as an excuse for bad behavior or using them to limit my choices or abilities is not acceptable.

Home #4
©2008
4" x 3"
$35

Plan to Have Energy

My daily schedule:

• 5:30: Wake up
• 6:00: Yoga
• 6:30: Prepare for day
• 7:00: Work in Studio
• 7:30: Breakfast and get kids out the door to school
• 8:00: More Studio
• 8:30: Leave for work
• 5:00: Home from work
• 5:00: Dinner & family time
• 7:00: Studio
• 8:00: Art business/Office Work
• 9:00: Write Blog Post
• 9:30: Read 1/2 hour then sleep

My life isn’t always exactly like this but in general this is what I get done each day. My kids live with their dad every other week in which case family time is replaced with more studio and art business time.

When I first started working the day job I didn’t do anything when I got home other than watch netflix movies. After 6 months to a year of this rather sluggish behavior I decided I’d had enough laziness and I got rid of my TV.

Then I told myself I was not exhausted and that I had plenty of energy to make art. So that is exactly what I did. I’d get home from work and head to my studio and work for hours.

Now I do this daily. On my drive home I visualize myself working in my studio. I tell myself I have a ton of energy and I focus on the positive. I don’t participate in conversations where people complain about being too busy or tired to do anything as I feel it has a negative impact on me.

Having a positive attitude about what I can get done has been a big help in have all the energy I need to do anything I want.

Art For Sale

I stitched Home #4 along with Home #3, posted yesterday, with the thought it would be an ACEO to offer for sale via my studio newsletter in December. But apparently I can not measure and it turned out too big. I haven’t yet mastered the diagonals of these little houses so I do a lot more resewing and recutting than with my Structures and Markings series and they still don’t always turn out as I expect.

So now this little single house textile painting gets to be called Home #4 and is for sale for $35. Please send me email if you are interested in purchasing it. Shipping is $1 in the US and $2 elsewhere. I accept payment via paypal or checks in US dollars.

I was going to point out the stitched doors in the houses yesterday but forgot so check them out on this little piece. Maybe windows will be next as I had a discussion about windows with my builder today. We also talked about all sorts of other things, like bathrooms and keys. We’re getting closer to starting!

Insights

This evening is interview #2 in the Insights Artist Interview series with Alyson Stanfield. I love getting a chance to hear what these artist have to say about their careers. Success stories are wonderful motivation to keep on going.

Home #3
©2008
10.5" x 8"
$150

Organization and Energy

When people ask me about having a lot of energy, one of the common threads is to ask how I have the energy to stay so organized with everything I do. I think the answer is that because I stay organized, I have energy for other things.

I find that clutter is a huge energy drain. Be it clutter in my mind or the more concrete piles of junk all over the house. If I let things get into too much disarray, all of my energy is spent thinking about what I have to do or hunting for stuff I can’t find and there is little energy left for doing anything. Staying organized frees up a ton of energy for other projects.

Mental Clutter

When my mind is full of unresolved issues with people or events or projects I tend to be low on energy. Or maybe more accurately, all of my energy ends up going towards ruminating about these situations.

Yesterday when I got home from work I ended up doing very little. Watched old episodes of The Office online. I never watch TV and I had 5 hours that could have been spent on studio time but something was off.

When I find myself stalled like I was last night I don’t beat myself, instead I look around and try to figure out what is draining my energy. I made a list of the things that were nagging at me and will spend today cleaning up those lose ends so I can get back to focusing my energy on making art, not worrying about stuff.

Getting the jumble out of my head and down onto paper, including my thoughts on how I feel about some of these things, is a huge help in plugging up the energy drain. Just recognizing all of the things that are pulling me into different directions is very freeing. Now I can prioritize the list and deal with the issues in a sane manner, instead of freaking out and shutting down.

Physical Organization

It’s not just my brain that need to stay organized for me to think clearly and have the energy to get things done. I also work better in an organized environment.

I’m a big believer in "a place for everything and everything in it’s place". When I don’t have that my things end up in random spots and I spend too much time looking for them, which is a complete waste of energy.

Just because I know a piece of paper is in a huge pile doesn’t mean it’s a good use of my time to dig through that pile every time I need it. Getting and staying organized is a way better use of my energy, so when I need something it is easily found. No distractions about clutter need enter my head when I’m in search of papers. I was able to pull together all the documents I needed for my construction loan in about 10 minutes because my files are so organized.

I had to buy an new quick release thing to attach my camera to my tripod as the old one disappeared. In my old house that thing had a home, if it wasn’t on my camera it was in it’s home. It had no home in this house so it apparently felt neglected and went on vacation. I spent over a month hunting for that thing, worring about taking pictures without and in general letting it annoy me. All of which was a huge waste of energy. The new one just arrived and first thing I did was decide where it will live in my house during the remodel. Energy drain plugged by a bit of organization.

This might sound like a silly example, but when a huge number of silly little things like lost quick release plates pile up together, I end up with a life that is only about distraction, not about making progress.

Home #3

These thoughts about clutter and organization tie in nicely with my thoughts about what makes a home. One thing I ask myself is why I crave so much space in a house. Why is my 900 sq ft house so in need of being made bigger for me to live here?

One of the answers I came to is that in 900 sq ft it is really really hard to be organized and uncluttered. There is simply not enough space to put things. Or to be more precise, given the things I own, there is not enough space to get organized. If I were told I had to live in 900 sq ft I could do it. But I would get rid of a lot more stuff. A huge roll top desk is not something that fits into a house of this size.

Fortunately I do not have to live in 900 sq ft and it turns out with the addition my house will be closer to 2300 sq ft. I’m pretty excited about that as I love big clear open spaces with minimal stuff. So while the frugal, virtous part of me feels like a big american pig for wanting such a big house, the efficient, productive artist in me is excited that in a few months I’ll be able to get really organized again and hence have more energy for making art. My energy is not best spent riffling through a cabinet crammed full of pots and pans to find the right one.

I’m ignoring the voices in my head that tell me there is some virtue in living small. I’m listening to the voices that say there is virtue in living large and honoring my desire for space for making art.

I completed Home #3 this morning and find it interesting how this piece of art, which I subtitle in my head Big House, Little House, and this posting came together at the same time. Rather serendipitous. And it’s the first photo I’ve taken in about 2 months with my tripod. Woohoo.

Home #3 is for sale for $150. Please send me email if you are interested in purchasing the piece. Shipping is $5 in the US and $10 elsewhere. I accept payment via paypal or checks in US dollars.

I think the question I receive most frequently is "where do you get all of your energy?" The last person to ask me this was Susan via twitter. I promised her I’d write a blog post on the topic and when I sat down to write it got really long so I’m breaking into multiple parts.

Food & Exercise

I think physical health is very important. When I feel tired or sick or physically not up to par it’s very hard to be motivated and have energy. So I take good care of myself. I have an extremely healthy diet, I exercise a bit and I have body work done on occasion (such as acupuncture or massage).

I don’t drink caffeine, I don’t eat much sugar, I don’t eat much white flour, I don’t eat meat except fish and I drink very little alcohol or soda. I eat super healthy for the most part, not just because I know I will feel better, but also because this is what comes naturally to me, I like simple nourishing food and have been doing it for 23 years.

I never feel like I’m depriving myself, so when I want to I’ll go on a cupcake eating binge. Or fritos. Or have a couple beers. Everything in moderation is fine but I find if I eat like this for an extended period of time I don’t feel great and naturally gravitate back to healthier simple food.

I don’t exercise as much as I might like but am managing yoga 3 or 4 times a week and some walking, my goal is 3-5 miles a week at a minimum. I’m not in the awesome shape I was in 5 years ago when I ran a half marathon and hike several 14ers but I still feel good.

My favorite form of exercise is to walk over to a playground at lunchtime and swing until my head clears. Usually it’s full of to-do lists and I don’t need that in my brain all the time. Probably the best way to spend 45 minutes while at work and it’s about 1.5 mile round trip.

This morning Natalya Aikens emailed a link to an article in the New York Times titled Late Bloomers by Malcolm Gladwell and I second her recommendation.

Wow. I think I might have found myself.

The article starts by chronicling the writing career of Ben Fountain, an author who spent 18 years writing before getting his first big hit at the age of 48. The article goes on to postulate on 2 different approaches to creative work - conceptual vs experimental. Prodigies, like Picasso, tend to be conceptual, they are born to genius. Late bloomers take a more incremental and experimental approach to their work.

The biggest "wow" part of the article for me is an excerpt from an article by David Galenson which comments on late bloomers:

The imprecision of their goals means that these artists rarely feel they have succeeded, and their careers are consequently often dominated by the pursuit of a single objective. These artists repeat themselves, painting the same subject many times, and gradually changing its treatment in an experimental process of trial and error. Each work leads to the next, and none is generally privileged over others, so experimental painters rarely make specific preparatory sketches or plans for a painting. They consider the production of a painting as a process of searching, in which they aim to discover the image in the course of making it; they typically believe that learning is a more important goal than making finished paintings. Experimental artists build their skills gradually over the course of their careers, improving their work slowly over long periods. These artists are perfectionists and are typically plagued by frustration at their inability to achieve their goal.

Okay - wow - that is almost exactly how I feel about my work. I often say that I’m still in the student/learning part of my career, believing that my work is no where near where I think it should be. I’m okay with this, going along one piece at a time trying out a new idea to see what it will bring me. After 7 years I have 99 textile paintings in the Structures series and I have no intention of stopping anytime soon. I’m searching for something that I know is there and seems rather illusive.

So now I have a whole theory about why I do what I do. I’m a late bloomer. Excellent - when I’m 60 my work will be selling for millions. Woohoo!

A Patron

The article makes an interesting point:

If you are the type of creative mind that starts without a plan, and has to experiment and learn by doing, you need someone to see you through the long and difficult time it takes for your art to reach its true level.

and goes on to discuss the patrons that Cezzanne (also a late bloomer) had in his life, such as Vollard and Pissaro.

The late blooming author, Ben, quit his job in his 20s and when I first read that I felt I was some how a slacker for not suffering the poor artist life and slogging through 18 years of hard work til I made it. Then around page 4 or 5 they reveal that Ben was able to quit because his wife was making a big chunk of money as a lawyer and he was a stay at home dad. Although his kids were in day care until the afternoon so he had large piece of uninterrupted time to work.

Aha - okay - so I no longer have such a patron, no wonder I’m going to work. I was a stay at home mom for 10 years and it was during this time I launched my art career in full. So I am quite grateful for that opportunity. My kids were never in daycare and I got a divorce as soon as my daughter went to kindergarten so I had naptimes to make art, but still, it was really great to not to have to work.

I’m now my own patron and this line from the article gave me pause:

This is the final lesson of the late bloomer: his or her success is highly contingent on the efforts of others.

Hm. Is that true? I’m a pretty self sufficient person that rarely asks for help and am pretty determined that I can do this, even with the day job (for now). Maybe I need to go hunting for some patrons. Anyone want to provide me a nice stipend to make art til I’m brilliant?

Structures #72 detail

Time in Studio vs Art Career

Last week I wrote about looking for balance between making art and the business side of an art career. I’m still pondering the issues for myself and thought taking an informal poll of other artists would be interesting.

So I asked: "question for artists: On average - per week: 1) how many hours do spend creating new artwork? 2) how many hours spent on your art business?"
on both twitter and facebook. Below is the summary of the answers (art/business).

- 20/20
- Some weeks 40/0, others 0/40
- 25/30
- 10/30
- 10-25 / 20-30+
- 25-30 / too much time promoting and organizing.
- ideally..20/20..lately 5/15
- 5-15 / 15
- 6 / 10-12
- 7-12 / 2
- 30/20
- 2/3
- 0/0
- 1/2

I pulled out just the numbers and deleted the comments, which were quite interesting, but didn’t feel it was appropriate to repost them here. If you go to search.twitter.com and search on @lisacall you can read the full replies to my query on twitter.

The info I glean from this is that the business side of art is a major commitment. Now that I’ve made that commitment it is no wonder I’m feeling the need to readjust.

Thanks to all the twitters and facebookers that answered the question as it was most helpful.

How about you, blog reader? How much time do you spend in the studio vs. the office?

More PFD Fabric for Sale

I sold 220 yards of fabric but have a bit more Prepared for Dye Fabric (PFD) Pimatex Fabric I’d like to sell. I wrote a post about this fabric here: Kaufman PFD Pimatex Fabric . I’m selling this fabric to keep my account at Kaufman open (they have a minimum purchase amount per year to order from them directly - I’m very close to meeting that minimum).

I’m selling the fabric to those with US shipping addresses only for $4.50 a yard + shipping. Total cost for different amounts including shipping:

5 yards - $30
10 yards - $55
20 yards - $100
25 yards - $125

If you’d be interested in purchasing some fabric please send me email the amount you’d like to purchase. I accept checks and paypal.

Structures #73

In addition to a couple hours of art business work, I’ve managed to get in 3 hours in the studio today. The first time in months and months I’ve been so focused on art making on a workday. Woohoo. Course it’s an hour later than I would like to be going to bed but I’m making good progress with the surface stitching on Structures #73. It takes me about an hour per square foot so I have maybe 6 or 7 hours left.

The above photo is another detail show of the textile painting.

Structures #72 detail

In The Studio

A few weeks ago I included an image of Structures #99 in my studio newsletter (you can see it here: Lisa Call’s October Studio Newsletter). Completing this textile painting was fun - only 1 more and I’ll be at 100. Woohoo. That feels like a big deal.

I haven’t figured out what I want to do for #100 yet. I had an idea it needed to be special in some way and with that kind of pressure, yikes, I can’t come up with anything special that feels right.

So instead I’ve decided to make this a full 100 completed pieces of art. Structures #72 and Structures #73 aren’t actually finished. They are both basted and waiting for me to add the surface stitching.

Both are very large pieces so I originally was going to wait to finish them until the new studio was built. Then this week I changed my mind and brought out #72 (detail above) and am working on it. I had started it during my move preparations earlier this year so I only have about 1/3 left to go. My goal: the stitching is finished by the end of the week.

Home Remodel

Speaking of my new studio, I got some excellent news today. My house (with addition) appraised for an excellent price so the bank approved my construction loan and I got a great interest rate to boot.

I close on the loan on the 24th and will start building hopefully the 27th. We should have the permit from the city some time next week. Everything came together nicely.

Yay!!! I’m getting closer.

Pretty much it worked out way better than I might have expected, which is so often the case.

Resources

A few artist resource I want to recommend. First are some artist interviews that Alyson Stanfield is presenting. I signed up for all 5 of them. I’ve found listening to artist talk about their business and their choices is a huge benefit to me so I’m looking forward to hearing what they have to say. I missed the first one but the great deal on these is you can download the mp3 to listen to over and over again at any time. If you are interested here’s a link: Insights - Artist Interviews with Alyson Stanfield.

In addition, Alyson is taking applications for another artist breakthrough program that starts in November. I participated in one this spring and it was excellent. I am thinking I might do it again later next year after my studio is finished also as it really great to have some group energy to keep a project going. Here’s a link for that: Artist Breakthrough Program

For truth in advertising, these are both affiliate links, which means I get money if you sign up through one of these links, which is nice, but it’s not why I’m recommending them. I’ve recommended Alyson’s stuff long before this program was in place because I believe in it very strongly.

I’ve known Alyson for years and have taken several workshops and classes with her. I can honestly say if it weren’t for her I’m not sure I’d be very far along on the art business path. She’s makes it all so clear and obvious. She’s the best so I’m always happy to send business her way.