Small Artwork For Sale

Thank you for your interesting in my selection of small textile paintings available for purchase.

Many images are clickable for a larger image (usually the larger work). If you’d like additional information about the textile paintings please send me email with your questions.

If you prefer not to pay online with paypal or a credit card (via the buy now buttons) you can email me to reserve a textile painting as I also accept checks. Shipping fees will be added at checkout. If purchasing multiple textile paintings I will combine shipping when possible.

I’ve moved the sold work off of this page to make room for some new work. You can check out my recently sold small textile paintings here: Recently Sold Work. If you see something on that page you might like, let me know and I will let you know if I make you something similar (depends on fabric availability).

Ascending

Ascending #1
©2009 Lisa Call
8" x 8"
Textile Painting (handdyed fabric, batting, thread) – Mounted on stretched canvas
Private Collection

Ascending #2
©2009 Lisa Call
2.5" x 3.5"
Textile Painting (handdyed fabric, batting, thread)
$40

Ascending #3
©2009 Lisa Call
2.5" x 3.5"
Textile Painting (handdyed fabric, batting, thread)
$40

Home

Home #3
©2008
10.5" x 8"
$550

Lines

My newest series of small textile paintings. All pieces in the Lines series are mounted on painted stretched canvases.

Lines #34
©2010 Lisa Call
3" x 3"
Textile Painting (Fabric hand dyed by the artist, cotton batting, cotton thread)
Mounted on stretched canvas
$75

Lines #22
©2009
3" x 3"
Textile Painting (Fabric hand dyed by the artist, cotton batting, cotton thread)
Mounted on stretched canvas
Private Collection

Lines #23
©2009
3" x 3"
Textile Painting (Fabric hand dyed by the artist, cotton batting, cotton thread)
Mounted on stretched canvas
$75

Lines #24
Textile Painting – Mounted on stretched canvas
©2009
3" x 3"
Private Collection

Lines #25
Textile Painting – Mounted on stretched canvas
©2009
3" x 3"
Sold

Lines #26
Textile Painting – Mounted on stretched canvas
©2009
3" x 3"
$75

Lines #27
Textile Painting – Mounted on stretched canvas
©2009
3" x 3"
$75

Lines #28
Textile Painting – Mounted on stretched canvas
©2009
3" x 3"
$75

Lines #29
Textile Painting – Mounted on stretched canvas
©2009
3" x 3"
$75

Lines #30
Textile Painting – Mounted on stretched canvas
©2009
3" x 3"
$75

Lines #31
Textile Painting – Mounted on stretched canvas
©2009
3" x 3"
$75

Lines #32
Textile Painting – Mounted on stretched canvas
©2009
3" x 3"
$75

Lines #33
Textile Painting – Mounted on stretched canvas
©2009
3" x 3"
$75

Lines #13
©2008
3" x 3" – Mounted on stretched canvas
Private Collection

Lines #14
©2008
3" x 3" – Mounted on stretched canvas
Private Collection

Structures

Structures #25
©2003
8"x 8"
$400

Structures #6
©2001
20"x 26"
$2500

Structures #81
©2007
12"x 12"
$700

Structures #82
©2007
12"x 12"
$700

Structures #86
©2007
12"x 12"
$700

Structures #87
©2007
12"x 12"
$700

Structures #90
©2007
12"x 12"
$700

Markings

ACEOs

ACEO stands for “art cards, editions and originals”. Originally known as ATC, Artist Trading Card, and are traded between artists. When sold to the public they are referred to as ACEOs. The primary rule for an ACEO or ATC is they be 3 1/2″ x 2 1/2″ – the size of a trading card. They are created in many different mediums and are collectible, trade able and affordable art for everyone.

About My Textile Paintings

My abstract textile paintings are informed by many elements: my love of the colors and geological forms of the southwest, repetition, pattern, and an attraction to human-made structures for containment such as fences and stone walls. I work in series, exploring themes of interest in depth. Color is of primary importance and is combined, intuitively, in unexpected ways, employing a unique palette of cotton fabrics I hand dye.

I am drawn to textiles by the tactile nature of the medium and intrigued by the flexibility of woven fabric in contrast to its underlying rigid grid construction. I manipulate sections of preconstructed color, verses applying pigment in small brush strokes, to create a composition. Individual elements are freehand cut and placed onto a flannel-covered studio wall, where I work improvisationally, designing, constructing and refining the lines and shapes in the piece. Extensive stitching on the surface adds rich texture to the finished work.