Color Improvisations Catalog

Color Improvisations Catalog

Color Improvisations Catalog – the orange version
 

Color Improvisations Catalog

One of my pages

 

Catalog Available for Sale

The color improvisations catalog is now available for sale. You can either purchase it from the color improvisations website and pay shipping from Germany. Cost is ~$45 + ~$15 shipping to the US (other countries vary).

Or you can buy it from me as I will have a few extra for sale. Cost is $43 + $10 shipping (for US addresses only – if you live outside of the US please order from the website above).

The catalog comes in 5 different covers so you can place your order based on cover color here (if you’d prefer to pay with a check let me know). You will receive your catalog in early August.

[Update 7/27: If you would like to purchase a catalog, please see my new webpage for that purpose: Color Improvisations Catalogs ]

 

More Photos from the Exhibit Opening

For more information about the show check out Terry Jarrard-Diamonds account of her trip to the exhibit opening in Germany a few weeks back.

Sounds like a fabulous time – sure wish I could have been there. But I’ll have a landscaped yard soon, so the trade off is okay for me.


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Preparing to Create

A Blank Canvas

Now that the studio is finished I got to spend today creating art. Although before I could begin I had much preparation to do.

The art I’m going to be creating over the next 7 weeks is for a solo show in Boulder that opens in mid February. I’ve shown in this space twice before so I know it well and know exactly the work I will make for the exhibit.

Usually when I create the artwork tells me what size it needs to be. This is a lovely feature of not working with a canvas. But it can also be a liability when I am facing a deadline as I like to work BIG and I don’t have time to complete a lot of huge quilts.

Being aware that 7 weeks isn’t much time to create an entire exhibits worth of art, this time around I’ve prederminded the sizes I will make so they fit the gallery and my time budget.

Since I have huge white walls the first step in preparation is to mark off the sizes I am working with. My plan is 9 larger pieces, the first 5 fit on my design walls and are marked off below.

[They might be a bit hard to see and if so - apologies for the big white photos. But in each of these there is some very light colored yarn marking off the spaces to fill.]

The largest – 3′x8′ (this is on the design wall I just put up – woohoo!):

Preparing to Create ©2009 Lisa Call

 

Two 4′x4′ square:

Preparing to Create ©2009 Lisa Call

 

Two 3′x3′ square:

Preparing to Create ©2009 Lisa Call

 

Once these 5 are completed I’ll design the remaining four 3′x4′ pieces.

Equipment Prep

Next up I needed to get the sewing machine ready. I wound a bunch of bobbins (the thread that goes in the bottom of the sewing machine).

Preparing to Create ©2009 Lisa Call

 

And cleaned and oiled the bobbin case and put in a new needle. Now it’s all ready to go.

Preparing to Create ©2009 Lisa Call

 

Home #10

And here is the start – Home #10 will be the 3′x8′ piece. This is likely all you will see of it before my show opens so the work is all brand new. Or maybe I’ll post a few in progress photos. We’ll see…

It’s yellow, purple and brown and turning out way cool (it’s much further along now). I’m most pleased.

Preparing to Create ©2009 Lisa Call

 

The Plan

I have about 260ish hours of studio time needed to complete the work for the show (more show details later). I have 7 weeks in which to do this. So, well, I’m going to be busy over the next few weeks as I think I’ve got to continue on with the day job also.

I’ll post updates 2-3 times a week so stay tuned. And coming up soon will be my year in review and my work fro 2010 and the coming decade. I love writing those posts.

And while I’ve said my studio is complete I still need to fix this one small detail. The builder had to redo some texture – back in April or May and the wall has looked like this ever since. I need to hunt through my 20 paint colors and get this fixed cause I’m really tired of looking at it this way! Maybe I’ll go do that right now…

Preparing to Create ©2009 Lisa Call


Posted by Lisa in: Abstract Contemporary Textile Art
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Working On a Deadline

Express Mail Envelope

Ta Da

Today at lunch I packaged up the photos and CDs and stuff and shipped my info off to the curator. I made my deadline – woohoo!

In addition to my kids coming home from camp a week early, I also ran into some issues with my website so the last few days haven’t been as smooth as one might hope but I had a bit of a buffer built in just incase.

My website has been quarantined off to the “you are hogging up the resources” section of the lunarpages world and if it doesn’t stop I have to pay more money. I can still run the website but some other things are a bit broken. Like email.

I’ve installed a caching plugin on wordpress and hope that fixes the problem. I didn’t hear back from them today so not sure if that is a good or bad sign.

In the meantime I can’t send email or access old emails stored in folders, kind of a bummer. And kind of not. I read the emails and then ignore them cause there is nothing to be done. A mini email vacation.

Estimation and Meeting my Deadline

I was able to easily make my deadline for this project because I had a very good idea of how long it would take me and the rate that I needed to get my work done.

This is one of the side benefits of recording and tracking my studio time. I know how long it takes me to make my artwork. It’s not an exact science but it is a good ballpark figure.

My original estimate was between 120 and 160 hours of work and it turned out to be 130 – completed in 5 weeks in addition to my day job.

Celebration

To celebrate completing this work I’m taking my kids to Santa Fe over the weekend as a last minute vacation. They were supposed to be in camp, I was supposed to be in Tucson so I had the vacation scheduled at work. Now neither of those things worked out so why waste a great opportunity to go eat some green chile. Yum!

We aren’t making any plans and the primary purpose of the trip is to eat (I grew up near Santa Fe, in Los Alamos) and an occasional trip to New Mexico is required as the food is beyond compare. Other than that we’ll just see if we feel up to doing anything other than going to see the new Harry Potter movie. Might just hang out at the hotel (they have wireless).

Nothing better than sopapillas to celebrate a job well done!


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A Look Into The Past

Artful Home

The Artful Home Studio Sale started today or maybe it was yesterday.

Either case you can peruse some of my older artwork that I don’t think I’ve ever shown online before. When I moved I came across some older work from my embellishing days. Lots of beads and buttons on these. I’ve also added in a few of the older pieced artworks also.

It’s a fun trip down memory lane for me to look at this work so I’ve decided to show them on the blog as a group as it’s fun to see our history.

Space Donuts

My preschool aged son wanted help with this quilt, so I let him name it. I love what he came up with.

This quilt is collage appliqued, machine quilted with rayon and metallic threads and hand beaded.

 
Abstract Contemporary Textile Painting / Art Quilt - Space Donuts ©1998 Lisa Call

Space Donuts
© 1998 Lisa Call
25.5" x 21.5"
Quilt (fabric, beads, trim, threads, batting)
$1590 $795 – on artfulhome

 
Detail Image:

Abstract Contemporary Textile Painting / Art Quilt - Space Donuts ©1998 Lisa Call

 
 

Chicken Quartet #1

A singing chicken! A group of 4 embroidered cocktail napkins found at a garage sale were the inspiration for this fun wall art.

The quilt is composed of commercial cotton fabric over dyed fabric by the artist and a selection of vintage fabrics to compliment the chickens. The piece is heavily embellished with beads and buttons for an updated folk art look.
 

Abstract Contemporary Textile Painting / Art Quilt - Chicken Quartet #1  ©2004 Lisa Call

Chicken Quartet #1
© 2004 Lisa Call
12.5" x 13.5"
Quilt (fabric, buttons, beads, batting, thread)
$700 $350 – on artfulhome

 
Detail Image:

Abstract Contemporary Textile Painting / Art Quilt - Chicken Quartet #1  ©2004 Lisa Call

 
 

El Niño

In 1997 they predicted would be a wet year for the western part of the United States due to the warming El Nino currents in the Pacific Ocean. In October my home in Colorado was buried beneath 3 feet of snow overnight. This quilt is the result of being snowed in that weekend.

Collage appliqued, heavily embellished with machine quilted with rayon and metallic threads and hand beaded.

Abstract Contemporary Textile Painting / Art Quilt - El Niño ©1997 Lisa Call

El Niño
© 1997 Lisa Call
34" x 31"
Quilt (fabric, buttons, paint, batting, thread)
$990 $495 – on artfulhome

 
Detail Image:

Abstract Contemporary Textile Painting / Art Quilt - El Niño ©1997 Lisa Call

 
 

Chairs #6

Chairs No. 6 is part of a series of work that was inspired by the shape of my kids’ highchair. They spent a lot of time there and I spent a lot of time washing it. So it was bound to inspire my artwork. Bright colors combined with black and white result in a very graphic and cheerful composition

Free hand cut, pieced and quilted with swirling quilting patterns in multiple complimenting colors on a home sewing machine.
 

Abstract Contemporary Textile Painting / Art Quilt - Chairs #6 ©1997 Lisa Call

Chairs #6
©2000 Lisa Call
18" x 18"
Quilt (fabric, batting, thread)
$390 $195 – on artfulhome

 
Detail Image:

Abstract Contemporary Textile Painting / Art Quilt - Chairs #6 ©1997 Lisa Call

 
 

Blossoms II

Japanese style cherry blossoms embellished with button centers. The irregular shape was fun to work with.

Raw edge applique, machine quilted, painted, embellished.
 

Abstract Contemporary Textile Painting / Art Quilt - Blossoms II ©1997 Lisa Call

Blossoms II
©1997 Lisa Call
34" x 31"
Quilt (fabric, buttons, paint, batting, thread)
Sold

 
Detail Image:

Abstract Contemporary Textile Painting / Art Quilt - Blossoms II ©1997 Lisa Call

 
 

Insalada Caprese

Fresh Mozzarella and Tomato Salad – a summer garden inspired artwork. A simple recipe that requires little effort (cut up cheese and tomatoes and drizzle with olive oil) and it sounds so yummy in Italian. The green is for a bit of fresh basil to make the dish (and art) more interesting. And of course I don’t grow just red tomatoes in my garden but also orange and yellow ones also.

Hand dyed fabric by the artist, cotton batting, cotton thread. Free hand cut. Pieced and Quilted on a home sewing machine.
 

Abstract Contemporary Textile Painting / Art Quilt - Insalada Caprese ©2002 Lisa Call

Insalada Caprese
©2002 Lisa Call
34" x 31"
Quilt (fabric, buttons, paint, batting, thread)
$1190 $595 – on artfulhome

 
Detail Image:

Abstract Contemporary Textile Painting / Art Quilt - Insalada Caprese ©2002 Lisa Call


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Kids and Art

Abstract Contemporary Textile Painting / Art Quilt - Structures #57 ©2006 Lisa Call

Structures #57
©2006 Lisa Call
33" x 66"
Textile Painting (hand dyed fabric, batting, thread)

 

Art For Dad

Today I took my son (a teenager – but really any age will work) to the Denver Art Student’s League annual Summer Art Fair. We had 2 purposes – first was to
enjoy the art and the second was to buy his dad a father’s day present. My daughter had previous pool party plans so was excused from the outing.

All around it was a successful event and we had a great time, saw a bunch of art and my son picked a nice abstract painting for his dad. At first he just wanted to go home but once he got into it he wanted to walk by all the booths to make sure he saw all his options first. Very cool he got into it eventually.

I bought a little ceramic house to add to my collection of houses. It’s now a collection because this is the second one I’ve bought.

Collectors in the Making

My goal, besides spending time with my son and seeing art, is to create a future art collector. As an artist I have a vested interest in there being a lot of these out there.

In addition to taking the kids to museums, art shows, galleries and other art events I also occasionally buy them art for their rooms. And of course we make art together.

I’ve now added in the element of having them buy art. Unless wildly inappropriate, I believe we will focus on purchasing art for all our future gift giving needs this year.

Support an artist – buy art for your friends and family!

Hm. That just might be a bumper sticker I need.

Progress

In addition to the art fair, I also had my second photo lesson today. The above image is another attempt at photographing Structures #57. This version is too dark because it’s now too dark in my house to process photos appropriately. But I’m on the right track as think it looks better than this version: Previous post with Structures #57.

Ironically that post is also about progress in my art career and it’s great advice based on a blog post by Seth Godin. I really recommend you click that link above and read my old post if you feel like you are never making forward progress. Seth is a smart guy.

Here’s one of his quotes from my article:

Add up enough urgencies and you don’t get a fire, you get a career. A career putting out fires never leads to the goal you had in mind all along.

It’s about making sure the things we are doing move us forward.

Today I put out a slow smoldering fire that has been blocking me for at least 6 months. I turned the website work I have done over to my builder and can now refocus on my career.

To that end look for the very first bit of content to come from makebigart.com later this week. I’m excited. Moving forward!

 
PS – If you are looking for some art to buy as a gift, I group together small pieces here: Affordable Art for Sale.


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How to Get Stuff Done

Page from my Sketchbook ©2008 Lisa Call

Page From My Sketchbook Used to Track Studio Time (click to see larger image)

Tracking Studio Time

I wasn’t planning on writing tonight but I want to write this down while I still remember the thoughts I had today thinking about the post I wrote last night and some of the comments that were left.

I mentioned several times on my blog that I track my studio time. The posts I wrote early in 2008 ( This One and Another One ) are very interesting reads.

These posts indicate a change I made in tracking studio time. I went from being very systematic about it, to taking a more laid back approach. It was all part of the search for who I wanted to be.

I’ve since decided that is a bunch of crap-ola. Yep – I’m going back to a definite plan for how much work I want to get down in my studio.

It Didn’t Work

I discovered that trying to take the "Oh, It doesn’t matter, I’m more floaty and creative if I don’t put rules around it" approach to studio time resulted in my getting significantly less done.

In Jan-Mar of 2008, right after I devised that crazy scheme, I did basically nothing in my studio. My kids were in Europe – I was home alone – there were no excuses or distractions. It was simply me being less systematic. As a result I would often say "I’m tired" or "I don’t feel like it" and stuff like "I’ll do it tomorrow".

None of that stuff really results in things getting done. Instead it’s a good way to get nothing done but have a lot of lofty reasons for why I didn’t.

Like "self care is just so much more important than making art". Hm – NOT! Making art is the #1 thing I say I want to spend my time doing. Not avoid doing.

Why Does A System Work?

So I’ve thought a lot about why my old way of doing things, with rules and precise tracking, worked and I think the answer is it is basically the same thing as setting a timer.

There has been tons written about boosting productivity by using a timers (check out these google results). I think my old plan was essentially that. I timed myself.

When I walked into the studio I trained myself to look and the clock. That was it – timer was running. I didn’t stop working until the time was a even increment of 15 minutes. And then I wrote it down.

Because the timer was running I wasn’t tempted to run off and do other stuff, like check email or do my laundry.

When I left my studio the timer was off – I wasn’t racking up minutes. So I’d hurry back to get the timer going again.

I know this sounds kinda crazy but after seeing it in action and reading all the timer and productivity stuff (my favorite person that write about this is Christine Kane) I’m convinced – it really works. And not just for studio stuff. I now use a timer for my writing and planning art business stuff now also.

I have been spending 15 minutes each morning entering addresses into my snail mail mailing list. Fifteen minutes isn’t a lot but over time it adds up and with no big drama effort, I’m going to have the last 18 months of avoiding this task whipped into shape.

Going with No Goals

In my attempt to be more floaty I also gave up setting goals for how many hours I would spend in my studio each week. I decided to just let it happen. As I mentioned – it didn’t.

What happened is the emotional side of me got all excited and it had a field day. Woohoo – we get to run the show and stop her from doing what she wants.

I only made art when I felt like it. Or when I magically had time.

Okay – really – I work full time as a software engineer. I’m a single mom every other week with 2 teenagers constantly wanting stuff. I own my home, have to pay the bills and do all those house things that need done. There is the yard (okay there was the yard – it’s now dirt). Family, friends, quack quack quack.

I don’t have time to put in 20 hours a week in my studio so of course if I give myself an out I’m going to take it. There weren’t any goals so it didn’t matter. No disappointment so why bother doing it.

Thumbs Up To Goals

So forget that no goals thing. I’m now setting my goal to 15 hours a week. I’m making it lower than before because I also plan on doing a lot more art business stuff than I used to.

By setting goals I have something to aim for. I may not always make that goal but by identifying it and writing it down I have a much better chance of making my goal than without writing it down.

By setting goals I am no longer giving the emotional side of me free reign to do what I want. I get scared or worried or anything about what I’m working on. Great – recognize the feelings – but I’m not going to let it stop me from pushing forward.

Eventually those feelings realize they aren’t in control and they get a little less loud.

By setting goals and being systematic I’m significantly more creative and make much more art than when I’m all new-agey. Trying to be like those non-driven people I sometimes think I should be like, who always seem more creative and spontaneous and fun, didn’t work for me at all.

I need structure and systems for my creativity to work.


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Creating Space

Organizing the Studio - the messy stage

 
Organizing the Studio - the messy stage

Organizing the Studio

 

Tossing out More Stuff

The above photos are the current state of my studio.

When I moved everything into the house I crammed all of this and more into my studio closet:

 
Organizing the Studio - the messy stage

Now it’s time to clear it out and keep only the essentials.

I cleaned out some stuff before I moved but I had a bunch of the guilty thoughts like "I really need to finish this – I started it" so I kept way too much. I also recall packing my studio was done in a rush. Much of it done the morning the movers were coming. Not the best time for clear thought.

So now I have the time and I’m sorting out 90% and more. Projects that might be nearly done but that are seriously ugly – gone. Projects that I was going to make for a friend or family member but the event passed years ago – gone. Projects I should finish because I started – gone.

Who Made Up These Rules?

Most of this stuff is 10-15 years old. I’ve kept this stuff around because it’s not bad and aren’t we required to finish everything we start? But you know what. I don’t need that rule anymore.

By getting rid of this stuff I am creating space for new things in my life. I won’t miss any of it and I’m going to love not having it draining my energy as it sits there making me feel guilty.

I have a vision in my head of a very simple and uncluttered home and studio. Where I am surrounded only by things I love and there is nothing negative making me feel bad or guilty. I’m so close to reaching that goal – the energy in my house is incredible.


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Getting Closer to Done

Cleaned up Office

 
Cleaned up Office

 

The Left Side of the Brain Pays a Visit

Last night I finished organizing my office and it awesome. The whole ‘a place for everything and everything in it’s place’ thing going on. Except for a few things – like my purple ipod. I need a home for it and I suspect it will be my studio.

And the big mound of papers on my rolltop desk – those are my various todo lists in need of some organization. But other than that even the drawers are cleaned out and all the junk has been tossed – everything is organized in notebooks and file folders. Ready for action!

The Art

I added my painting by David Castle to the office last night also (above the printer in the first photo). The art over my computer is Markings #15 as I mentioned in the last post, along with my art pencil holders by Paula.

The wood and ceramic bowls in front of the window are full of rocks and shells from various vacations. I think in this case all the rocks are from New Zealand. I left clothing in NZ so I could bring back rocks. Priorities!

The art in the second photo: Over the desk is Structures #26 and on the far wall is Structures #12. The watercolors in the foreground were painted by my kids and I a few years back, when I could still interest them in doing some artwork.

My Declaration

Today I was going to start organizing my studio closet but life happened instead. So that is the plan for tomorrow. By sunday I declare my house will be completely unpacked and I will be moved in and making art. I am so so ready to make some art again.

Maybe if I get lucky we’ll have a snow day at work on friday. Everyone send your best snow wishes to Denver for a big big blizzard thursday night.


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Chasing One Rabbit

My office in the messy part of being organized.

My Office

 

Focus

The past few days I have been intently focused on getting moved into my house. Last week I tried to unpack and settle in and also do some art business stuff. The result wasn’t real productive. The old proverb that says something like “If you chase 2 rabbits both will escape” pretty much applied.

When I’d try to sit and do some writing the piles of boxes around me would start distracting me and I’d start to unpack. Then I’d feel guilty for not doing the business stuff so jump back to that. Ack – totally 0 forward progress.

So now I’m just unpacking. That’s enough along with work and kids and all the other stuff I normally do. Few more days and I should be done, which means I’ll be able to take my final ‘after’ photos of the remodel.

The house is 99% done. They have promised to finish up the punch list this week. So soon it will be time for a house warming party. My daughter said she saw that on the Sims but didn’t know people did it in real life. Guess she’s about to experience a computer game in real life.

Art

This weekend I decided it was time to get art on my walls as the furniture was all in place and I’m just about finished with that process. It’s amazing how many hours it takes to sort out an art collection and choose homes for each piece and then fill in the empty spots (admittedly most of the space as my art collection isn’t very large yet) with my own textile paintings. Hours and hours – very fun hours.

I have 2 or 3 more pieces to go up and I’ll be done, for now. One of the last pieces will be Markings #12 but first I have to fix it so I can hang it right side up. Long time readers might recall it hung upside down in my last solo show and it wasn’t until I posted the images on line I figured it out.

In the photo above you can see Markings #15 hanging in my office. Below it are my very cool pencil holders made by Paula McCullough. They are just perfect on that shelf over the desk.

I don’t have local gallery representation yet so my house gets to be my local showcase of art.

Slides

This blog post is a way to avoid the chaos currently surrounding me in my office. I’m in the process of organizing and moving in but I’ve hit the ‘it’s a huge mess in here what should I do next’ part of the process and tired.

The big white bag in the middle of the floor is a trash bag – full of 90% of my slides. Tossing them out. I am keeping 1 slide of each textile painting so I’ve only tossed out the obvious ones and later on I’ll do more sorting. Five of the notebooks on the shelf are slides and I suspect I can get that down to just 1. Then I’ll put it in my basement and not look at it again forever.

I was pretty ruthless when I moved and tossed out and gave away a ton of stuff. I’m being even more picky now and have a big mound of things I will be getting rid of over the next few weeks. One of them is my slide projector and screen. No slides, no need for a projector. Anyone want it? I have a spare bulb and a few extra carousels also.

I have to say, I really prefer this digital world. Keeping track of images and entering shows is much easier for me now. Yay for technology.


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Copyright and Facebook

Tracy left the following comment on my last post and I was going to respond to in the comments but I’m in the middle of moving everything out of my studio and bedrooms and office so they can do carpet today and writing a longer blog post about this seemed like a good diversion.

Facebook’s Image Policy

Be careful about the Facebook transfer. I know that they did have a policy of owning the rights to images that you post, including art images. I pulled mine off of the site. There was quite a backlash about it, including a few high profile news articles, but I don’t know whether they have actually changed anything.

First off – I really appreciate the concern – I love that artists are always looking to help other artists. What an amazing community we have – so thank you Tracy.

Facebook changed their policy back after the uproar and they are working on a new one with input from the user community. I do not view facebook as the bad guys – they were doing a bit of CYA and went a bit overboard then quickly responded to the concerns raised.

I don’t think facebook was ever after owning the copyright on artwork images and even so what could they do with a low resolution small image intended for viewing on a computer? It wouldn’t print very well so it’s not going to take them very far. Facebook is not in the business of marketing or licensing art. They are a software a service provider.

But wow – just imagine for a minute that they were in the business of stealing art and they stole mine and generated a huge buzz and got really rich. Woohoo! Wow – that would mean there is this huge market out there for my work (which really, I know there is, I’m just starting to tap into it). It would just be a matter of a bit of work on my part to jump onto the buzz that they would create.

Images on the Internet

I don’t believe that putting images on facebook is any different than putting them here – if someone wants to steal them and do things with them I do not authorize it’s kinda hard to stop them – it’s the internet. There are risks involved.

There are also risks involved in driving also – but the benefits far far out way them so I take a few precautions (seat belts, being a defensive driver, etc) and hop in my car almost daily.

Same thing with putting my art on the internet. I think the benefits far far outway the risks so I take a few precautions (only post low resolution images, include a copyright notice on my sites and in the descriptions next to all of my images) and upload new art as often as possible.

My thoughts on the subject, not intended as the right way to do things, just my opinion. Everyone has to assess the risks/benefits themselves and take whatever precautions they are comfortable with.

Now back to carrying stuff from Point A to Point B.


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