Lisa Call

This morning Natalya Aikens emailed a link to an article in the New York Times titled Late Bloomers by Malcolm Gladwell and I second her recommendation.

Wow. I think I might have found myself.

The article starts by chronicling the writing career of Ben Fountain, an author who spent 18 years writing before getting his first big hit at the age of 48. The article goes on to postulate on 2 different approaches to creative work - conceptual vs experimental. Prodigies, like Picasso, tend to be conceptual, they are born to genius. Late bloomers take a more incremental and experimental approach to their work.

The biggest "wow" part of the article for me is an excerpt from an article by David Galenson which comments on late bloomers:

The imprecision of their goals means that these artists rarely feel they have succeeded, and their careers are consequently often dominated by the pursuit of a single objective. These artists repeat themselves, painting the same subject many times, and gradually changing its treatment in an experimental process of trial and error. Each work leads to the next, and none is generally privileged over others, so experimental painters rarely make specific preparatory sketches or plans for a painting. They consider the production of a painting as a process of searching, in which they aim to discover the image in the course of making it; they typically believe that learning is a more important goal than making finished paintings. Experimental artists build their skills gradually over the course of their careers, improving their work slowly over long periods. These artists are perfectionists and are typically plagued by frustration at their inability to achieve their goal.

Okay - wow - that is almost exactly how I feel about my work. I often say that I’m still in the student/learning part of my career, believing that my work is no where near where I think it should be. I’m okay with this, going along one piece at a time trying out a new idea to see what it will bring me. After 7 years I have 99 textile paintings in the Structures series and I have no intention of stopping anytime soon. I’m searching for something that I know is there and seems rather illusive.

So now I have a whole theory about why I do what I do. I’m a late bloomer. Excellent - when I’m 60 my work will be selling for millions. Woohoo!

A Patron

The article makes an interesting point:

If you are the type of creative mind that starts without a plan, and has to experiment and learn by doing, you need someone to see you through the long and difficult time it takes for your art to reach its true level.

and goes on to discuss the patrons that Cezzanne (also a late bloomer) had in his life, such as Vollard and Pissaro.

The late blooming author, Ben, quit his job in his 20s and when I first read that I felt I was some how a slacker for not suffering the poor artist life and slogging through 18 years of hard work til I made it. Then around page 4 or 5 they reveal that Ben was able to quit because his wife was making a big chunk of money as a lawyer and he was a stay at home dad. Although his kids were in day care until the afternoon so he had large piece of uninterrupted time to work.

Aha - okay - so I no longer have such a patron, no wonder I’m going to work. I was a stay at home mom for 10 years and it was during this time I launched my art career in full. So I am quite grateful for that opportunity. My kids were never in daycare and I got a divorce as soon as my daughter went to kindergarten so I had naptimes to make art, but still, it was really great to not to have to work.

I’m now my own patron and this line from the article gave me pause:

This is the final lesson of the late bloomer: his or her success is highly contingent on the efforts of others.

Hm. Is that true? I’m a pretty self sufficient person that rarely asks for help and am pretty determined that I can do this, even with the day job (for now). Maybe I need to go hunting for some patrons. Anyone want to provide me a nice stipend to make art til I’m brilliant?

Structures #72 detail

Time in Studio vs Art Career

Last week I wrote about looking for balance between making art and the business side of an art career. I’m still pondering the issues for myself and thought taking an informal poll of other artists would be interesting.

So I asked: "question for artists: On average - per week: 1) how many hours do spend creating new artwork? 2) how many hours spent on your art business?"
on both twitter and facebook. Below is the summary of the answers (art/business).

- 20/20
- Some weeks 40/0, others 0/40
- 25/30
- 10/30
- 10-25 / 20-30+
- 25-30 / too much time promoting and organizing.
- ideally..20/20..lately 5/15
- 5-15 / 15
- 6 / 10-12
- 7-12 / 2
- 30/20
- 2/3
- 0/0
- 1/2

I pulled out just the numbers and deleted the comments, which were quite interesting, but didn’t feel it was appropriate to repost them here. If you go to search.twitter.com and search on @lisacall you can read the full replies to my query on twitter.

The info I glean from this is that the business side of art is a major commitment. Now that I’ve made that commitment it is no wonder I’m feeling the need to readjust.

Thanks to all the twitters and facebookers that answered the question as it was most helpful.

How about you, blog reader? How much time do you spend in the studio vs. the office?

More PFD Fabric for Sale

I sold 220 yards of fabric but have a bit more Prepared for Dye Fabric (PFD) Pimatex Fabric I’d like to sell. I wrote a post about this fabric here: Kaufman PFD Pimatex Fabric . I’m selling this fabric to keep my account at Kaufman open (they have a minimum purchase amount per year to order from them directly - I’m very close to meeting that minimum).

I’m selling the fabric to those with US shipping addresses only for $4.50 a yard + shipping. Total cost for different amounts including shipping:

5 yards - $30
10 yards - $55
20 yards - $100
25 yards - $125

If you’d be interested in purchasing some fabric please send me email the amount you’d like to purchase. I accept checks and paypal.

Structures #73

In addition to a couple hours of art business work, I’ve managed to get in 3 hours in the studio today. The first time in months and months I’ve been so focused on art making on a workday. Woohoo. Course it’s an hour later than I would like to be going to bed but I’m making good progress with the surface stitching on Structures #73. It takes me about an hour per square foot so I have maybe 6 or 7 hours left.

The above photo is another detail show of the textile painting.

My Taskboard on Oct 1

My Scrum Taskboard

In September I wrote several posts about using Scrum to manage my art career. In the last post I wrote about taskboards and explained how I was using it to track all the work I wanted to complete in September.

Quick refresher - the colored cards are the goals for the month (user stories) and there is 1 per row on the board. Each of the white cards are tasks that need to be completed for the bigger goals. The first column are tasks not yet started, the second column are tasks in progress and the final column are completed tasks. The colored cards on the right are goals I’m tracking but not actively working on.

Comparing the board from today from the board closer to the beginning of the month:

 
You can see I got a lot done. Certainly not everything but that big pile of cards in the completed pile indicates I did a heck of a lot art business and marketing this month. Probably the most focused and organized I’ve been in a long time, if not ever, for the business side of art.

This very visual indication of what I want to get done is a huge incentive for doing things. So I’m calling my first initial trial with scrum to be a big success.

Blocked Tasks

One thing I will add to my board is a 4th column. This is where I will put tasks that are blocked and in need of an external event for it to move forward. Such as waiting to hear from juried shows, or to get a return email, etc. I’d like a way to distinguish these tasks from the tasks I am actively working on (in column 2).

If a task is blocked for a long time it might mean I need to check in with the progress, or reevaluate the tasks and maybe find another solution.

Most of the goals (the colored cards along the right hand side of the board) are user stories where one of the tasks is currently blocked so once I add a new column these have a more natural home on the board.

Real Sprints

In scrum the goal is to put up on the taskboard only the work for a single sprint (I’m doing 1 month sprints). I obviously have much more work on my board than that so am not really sticking to that aspect of scrum.

There is a lot of value in seeing all (or at least most) of the work completed after a sprint completes so I’ll eventually get there but I’m not worried about it right now since my house is a big priority. We will hopefully begin building in a few weeks. I’m trying not to set too high of expectations during the building process.

Making Art in September

Although not managed through the scrum taskboard, september was a really good month in my studio also. One of my goals is to make art every day. Between work and kids and the house, it’s my escape and it helps keep me centered.

For September I worked in my studio 25 out of 30 days for a total of 55 hours. I completed 2 new pieces in my Structures series (#98 and #99) and made several small textile paintings.

Yay. That puts a smile on my face.

October Goals

So now it’s a new month and time to set new goals and maybe put some new goals/user stories up on my taskboard. I have some projects that ave been languishing on my todo list for months as I feel I’m still not quite caught up after moving in June. These are completed in October, I’m sure of it!

The first big goal for Oct will be to write and email my September studio newsletter. Then I’ll turn to a few misc tasks and then finally, I’ll tackle my website redesign project. I excited to get back to it.

First - The Trees

(scroll down below the pictures if you just want to read about art and success)

 
As my long time readers know, I recently moved and am remodeling and putting an addition on my house to add a studio. So in addition to my normal art writing, this blog will, at times, resemble an episode of This Old House because I’m really excited about the work so I’m going to write about it.

The remodel will be starting very soon so first step was to get some trees out of the way.

In area #1 (as marked on the first photo) were 2 cedar trees much much too close to the foundation. They made a mess, not so sad to see them gone.

Area #2 is my beautiful crab apple tree in the backyard (pictured above) that I talk about often. It too had to go, as the new studio will be sitting smack dab on top of it. It took me over a month to admit this was a reality. My builder was patient with me as I finally came to terms with losing the tree. It was simply too close to the house and there was no way to keep the tree and still do an addition. They guys that cut it down said it needed to go even with no addition, so that made me feel a bit better. They also said it was one of the most beautiful crab apple trees they had seen.

Area #3 was another large crab apple wedged between my house and the neighbors. It was ruining my driveway with it’s roots. Again, much to close to the house, and it was already rotting and was dropping limbs when I cut it down.

The trees are now gone as seen above. My yard feels HUGE and full of possibility. It’s exciting. And much less sad than I anticipated. I can’t wait for the remodel to begin!

Lesson learned - those cute little trees that we all plant in our yards. They eventually end up as really big trees. So best not to put them very close to the house or the next home owner will have to pay big $ to have them chopped down.

Success - A State of Being

In my last two blog posts I wrote about
- why I want to know my definition of success
and
- what being a successful artist meant to me.

In both of these posts I wrote about success as a destination. Success defined as a set of goals to be achieved. I’m a big believer in planning out the future and working on the those goals so I stand by that definition of success. It helps to define what actions I should take.

But success is more than that. When I wrote the first post about why I wanted to know my definition for success, I was thinking about putting in "so I will know when I have made it" as one of the reasons. But it didn’t feel right. I couldn’t find any words to say this that didn’t rub me the wrong way.

That is because I consider myself a successful artist today, even without reaching those goals. I’m so ecstatically thrilled every day I wake up and think "I get to make art today". No amount of external recognition or achievement is better than this feeling.

I’m so fortunate to have found something in my life I am so passionate about and love doing so much. Even the marketing stuff is really growing on me and I get excited about it.

The process of being an artist is the best part of being an artist. Even if I never reach the goals I set out in the last post, I will always consider myself a successful artist by the sheer fact that I am one.

Although honestly, I’m pretty sure I will reach all of those goals, and it will be a fairly effortless process because I find all of this to be pure fun. I don’t feel I’m grasping or desperate, it’s just total joy each day to wake up and think about what I can do to move my career forward.

For me, success is both a destination and a journey and I wouldn’t want to give up either.

A Natural Progression

When I thought about being an artist 10-12 years ago, my definition of success was to get my work into some juried quilt shows. It didn’t take long and I was, by my definition, a success.

So I set the bar higher. I decided I needed to get into Quilt National to be a success. That goal was first achieved in 2003. I’ve now been accepted, into what to some is considered by some to be the quintessential art quilt venue, 3 times in a row.

With some success to my name, I decided to looked a little deeper and decided I wanted to focus on finding my artistic voice and this became my definition of success:

- I am the best artist I can be
- I have solo shows in not-for-profit galleries (note that non-profit part)

My focus was almost solely on making art and a bit of time was spent showing my work. My actions were in alignment with my intent and I was content. I spent years completely focused on my art and I feel this was a wise choice. As a result I have a lot of confidence in my art and skills and I had a few solo shows along the way.

Moving On

Each time I near or reach my definition of success I feel it’s time to change it and think bigger. The other option, declaring myself a success and coasting, doesn’t suit me very well. At least not yet.

It’s not that I’ve never had big grandiose ideas about where my art can go. It’s that I never spent the time to think about them in detail, write them down, focus on them and thereby make them my new reality. I don’t think this is a bad thing. Could be it’s a natural progression for many of us - start small and get bigger as the way becomes clearer and the obstacles seem less daunting.

Adding Value

Some of the change in direction I’m now planning came about when I was willing to realize and accept that:

1. It’s okay to sell art
2. I can work to be the best artist I can and market my work at the same time. This involved learning to ignore all the voices that speak to the contrary.
3. Getting money for something I love doing is pretty darn cool

I love Steve Pavlina’s comments on twitter the other day that read:

Becoming a millionaire (through honest means) requires delivering $1 million worth of value to other people. That’s generous, not greedy!

It’s a good reminder that as an artist I am providing value to the world and as such it’s okay to be reimbursed for that value.

Cynthia Guajardo had some interesting thoughts the other day as she was pondering what value she might be adding as a ceramic artist in her blog post about living simply. I was very happy to read that she came to the conclusion that she was adding value and will continue to make her pottery.

I suspect it’s fairly common for artists to question what value they might be adding to universe with their art and craft. I know I have. And I’m happy I also came to the conclusion that we add a lot and it is essential we keep creating. And expecting to be compensated fairly for that value.

My New Definition for Success

So now it’s time to take a deep breath and think big and tell the world all about it.

This is my new definition for what it means to me to be a successful artist:

• I am creating a body of work that I am proud of and that I know is pushing me to become the best artist I can.
• I see growth in my artwork.
• I am authentically marketing my artwork.
• I quit my day job and live comfortably from the proceeds of my creative talents. I want to be very clear about my definition so I have an amount in mind but think specific dollar amounts are a bit too personal for public consumption.
• My work is valued by buyers and collectors, who are willing to pay a good price for my artwork. Again, I have a specific idea of what I want my art to sell for so I am very clear about where this career is headed.
• I create an affordable line of work for those that can not afford my larger pieces.
• My work is included in 4 or more museum collections.
• I publish one or more books about my art and my writing about art. At least one will be a big "coffee table" style book
• I actively participate in a community of mutually supportive artists.
• I am an inspiration and mentor to other artists.
• I continually learn about myself through my art and my writing about art.
• I enjoy all aspects of being an artist.

Why Do I Need to Know This?

One of the items on my goal list for 2008 was to define what success means to me as an artist. As I mentioned in that post, my definition of success has changed, so I wasn’t sure where to go with my goals for 2008 at the beginning of the year so I didn’t really write any.

This wasn’t a bad thing because turns out what I really wanted to do this year was sell my house and get out of the suburbs. That lifestyle was no longer working for me. I loved my big house and big studio but I’m much happier in the city: close to work, close to the kids school and close to everything - museums, galleries, restaurants. I’ve seen more art in the past few months than I did the last 5 years, because it is right here 10-15 minutes from my house.

But back to success. I feel it’s now time to define what it means to me to be a successful artist. I have a vague idea in my head what I intend for my career but I want to write it down and give it some serious thought.

I feel I need to do this right now for a few reasons:

1. Clarity: Most importantly I want to get really clear about why I am making art and how I want to market it. Or more accurately, why I am making art today and where I am intending for this career to go. I believe that getting very clear about intentions is the best way to ensure they become real. When I am wishy washy with my intent my results tend to be wishy washy. When I get really clear I find I get very clear results also.
2. Adapting: I don’t think it’s realistic, at least for me, to come up with big grand ideas about what success means and for it not to change over time. I wrote out some definitions for myself a few years ago and then I moved and I decided I like selling my art and so much of what I wrote is no longer up to date. By revisiting this definition I can learn and adapt and move get closer to my true desires.
3. Direction: Having a definition of success for my art career makes writing goals very easy. If I know what I think success means then I just have to do the things that will result in that success. Without a definition of success it’s kind of hard to figure out what I should be doing on a day to day basis. There are thousands of things I could do as an artist and only by understanding what my desired destination is, can I pick the activities that best suit my stated intentions.

I’ve spent a couple days writing and thinking about the specifics of this definition and when I get it finalized, or at least polished enough that it feels right and it is clear, I’ll post it on my blog.

 
Do you have a definition for what success means to you as an artist?