Lisa Call

Structures #6    ©2001    20" x 26"

Getting Back to Normal Life

Yesterday afternoon we arrived back home from the trip to Montana and had 24 hours to get the kids packed for camp and off again for 2 weeks. I’m now back home and faced with the rather large chore of unpacking and settling in. I also have a todo list a mile long of things that I let drop the last couple months, many of them art related requests that need attention.

When I start the think about all that needs to be done I get a bit overwhelmed. So I’m doing my best to not think about it all. I got a lot done the last 3 months by just working on my goals every day. So I’m sure that in no time I can get caught up again if I just stay focused.

A rough outline of what I would like to accomplish in the next 2 weeks while the kids are at camp (no reason to think about the zillion of other things cause this is enough for now):

• Unpack entire house
• Set up studio
• Make small art for studio newsletter
• Write and send my second studio newsletter
• Catch up with the very many outstanding requests for photos, info, etc of my art
• Find all my dye supplies and dye fabric with my childhood friend, Kelly, over the weekend
• Process the 400+ pictures taken while in Montana (my kids went a bit nuts with the camera - I think well over half are to be deleted)
• Figure out timeline and budget for getting house repaired and possible addition added, talk to 3 builders and select one to do the work

Tomorrow I return back to work. After 2 weeks off it’s going to be difficult but it pays the bills right now so off I go. My todo list would be a snap if I didn’t have to give up 40 hours a week. Although now that I live in Denver my commute will be 10 minutes instead of 30+ so I’m looking forward to having an extra hour in my life (not to mention the gas savings).

Artful Home Studio Sale

The Artful Home (formerly known as guild.com) is holding a studio sale. Lots of amazing art at good discounts. I have several pieces available for sale that can be viewed from my Artful Home Artist webpage. The items marked as Studio Sale are discounted from 30-40%. The sale ends on July 15th.

The above piece, Structures #6, is one of the items I included in the items for sale and can be seen here: Structures #6.

Structures #69    ©2007    8.5" x 15.5"

 
Some more thoughts on the design principles from my kids’ Expeditionary Learning school and how they relate to being an artist. I’m taking a bit of a break from moving activities.

[All my posts on design principles.]

Design Principle #7: Diversity and Inclusion

Diversity and inclusion in all groups dramatically increases richness of ideas, creative power, problem-solving ability, and acceptance of others. Encourage students to investigate, value and draw upon their own different histories, talents and resources together with those of other communities and cultures. Keep the schools and learning groups heterogeneous.

The Quilt Ghetto

Many (most?) textile/fiber artists tend to hang out with only other fiber artists. I hear the same is true for other disciplines such as photography or ceramics. When I started as an artist working in textiles, I was stuck in that same trap. Groups form to share ideas and techniques, friendships are made, it’s a great way to grow as an artist. It’s also a great way to get caught in the quilt ghetto.

The past 3 or 4 years I’ve actively looked to expand my circle of art friends and have found, just as the principle states, that the diversity results in richer ideas, more create power and problem solving ability and the ability to be more accepting of others.

Blogging has been a tremendous asset in building a more diverse and heterogeneous community. Once I get settled in Denver I’m looking forward to building new relationships with more artists of a variety of disciplines. I encourage all artists to break away from the pack every once and see what you can learn from those working in a different medium.

Structures #69 - Moving Sale

This small piece was inspired by the piece of artwork selected by Quilt National 2007 and now on tour, Structures #55. Today is the last day of my moving sale. Originally priced at $250, it is $150 for the next few days (since I’m posting it so late).

If you are interested in purchasing Structures #69, or any of my available artwork please email me.

Structures #55    ©2006    33" x 74"

 
Ten days ago I mentioned I had 2 full priced offers on my house (24 hours after the house went on the market). A few other buyers joined the fun and they started bidding up the price of the house. I accepted the best offer on June 6th that was 9% above my asking price and they waived inspection (because I already pre-inspected the house and gave them the full report).

Only issue was we have to close on June 25th to work around everyone’s schedule. So we quickly switched gears to looking at houses and on June 7th I made an offer on a house in the location I was interested and they accepted.

Yesterday we inspected and found some issues and I’m going to bring in a few other folks for further inspections and then see if I can negotiate with the owners. I’ll post more about the house and my studio plans after everything is finalized.

If all goes well I will be moved in just 11 days! Hence the lack of posts recently. Wow - do I ever have a ton of things to do.

Tomorrow is the last day of my moving sale so if there is a piece you were thinking about let me know. I never got the chance to make a list of my available work so if there is a piece in particular that you were interested just ask. Thanks to those of you that have bought work. It’s much appreciated.

Structures #21    ©2003    12" x 12"

 
Post #4 on my thoughts on the design principles from my kids’ Expeditionary Learning school and how they relate to being an artist. [All my posts on design principles.]

Design Principle #6: Collaboration and Competition

Teach so as to join individual and group development so that the value of friendship, trust, and group endeavor is made manifest. Encourage students to compete, not against each other, but with their own personal best and with rigorous standards of excellence.

The Power of the Group

In a previous post on the design principles I mentioned I belong to several artist groups. I feel the most successful groups are ones that operate on the above principle. We come together in friendship and trust looking to support each other. All individual and group successes are celebrated.

I’m a believer in the power of group energy. I think this type of collaborative and supportive artist group can propel all members forward. The energy that is created when a group of like minded individuals get together can be incredible. I always look at the artists in my online support group, The Fiber Connection, and can see the results of such group support.

I’ve recently started working with a small mastermind group from the Artist Breakthrough Program I took with Alyson Stanfield last month. Each evening we email the other members a list of our goals for the upcoming day will be and a report on how we did on the current day’s goals. Having the group energy and the accountability to stay on track have been huge. Although the last month I focused on my house instead of my art, I know this group was a significant contributing factor to keeping me on task.

I highly recommend both Alyson’s program (next one starts in August) and finding a small mastermind group to share your daily goals and successes.

Becoming My Best

I am constantly thinking about how I can improve my art and my art business. Being in competition with oneself is a healthy way to achieve one’s personal best. I track my goals, my time spent in my studio and my accomplishments and I think a lot about how to make improvements in all areas. I have extremely high expectations for myself and by checking in to see how I’m doing every once in a while I find I can keep improving and tweaking what works and what doesn’t.

While I do look to other artists to see how they are doing I try not to compare myself to them. I might not always succeed but I’ve found that over time I am much less concerned with how other’s are doing. I rarely feel a need to bring out the yardstick to see who might have more shows or sales or better art. Competing only against myself is enough. It’s healthier and my life is calmer when I’m not getting caught up in how I’m doing compared to everyone else.

I can’t claim this is easy, not comparing (and then feeling either inferior or superior) but it’s something I have been putting energy into. Staying focused on the present moment and not getting caught up in the past or stressed out over the future is a huge help.

Moving Update

My house went on the market today and I had a second showing this afternoon. I hear they loved it and will be presenting me an offer in the morning. All the hard work has paid off. Woohoo. On thursday I will start looking for a house to purchase as it looks like I’ll be moving soon!

I have to admit it’s been a challenge to sit here the last hour and write this post as I’m much more tempted to search real estate ads to find the perfect home. Then I remind myself I have a real estate agent that is getting paid plenty to find the homes for me. So I’m working on relaxing and knowing she will do a fabulous job and the right house will soon be mine.

Structures #21 - Moving Sale

A study in working small, something that is I find a challenge but enjoy doing the more I experiment with it. This piece is also available as part of my moving sale. Originally priced at $225, it is $135 until June 15.

If you are interested in purchasing Structures #21, or any of my available artwork please email me.

Detail of Structures #21:

Structures #43    ©2005    21" x 22"

 
Post #3 on my thoughts on the design principles from my kids’ Expeditionary Learning school and how they relate to being an artist. [All my posts on design principles.]

Design Principle #4: Empathy and Caring

Learning is fostered best in small groups where there is trust, sustained caring and mutual respect among all members of the learning community. Keep schools and learning groups small. Be sure there is a caring adult looking after the progress of each child. Arrange for the older students to mentor the younger ones.

As this principle states my kids school is very small with only ~300 kids in grades K-12. All of them in a single building, high schoolers with first graders. The classrooms are paired up, older with younger grades, and once a week they get together for a "crew buddy" activity. It’s a wonderful experience for both the younger and the older kids.

Mentoring

I was fortunate to have some supportive mentors when I first started out making art. Having someone to ask questions, bounce ideas off of, and give suggestions is helpful in developing as an artist. Now I have a desire to share that with others to help them in a similar way I was helped. One of the goals of my blog is to do exactly that. I share my experiences and hope that others can gain from it.

The past year I’ve wanted to do something more tangible and specific along these lines. So I’ve started thinking about developing a mentoring program of some type. It’s something I want to do sometime this year, after I move and after I finish my website and after I get my book done. So I’m thinking end of fall or early winter having it in place. I have a bunch of ideas floating around in my head as to what this might look like, so watch this space in a few months as things become more concrete and I announce my plans.

Design Principle #5: Success and Failure

All students must be assured a fair measure of success in learning in order to nurture the confidence and capacity to take risks and rise to increasingly difficult challenges. But it is also important to experience failure, to overcome negative inclinations, to prevail against adversity and to learn to turn disabilities into opportunities.

I have had some really wonderful successes in my art career and I’ve had some set backs. While it’s easy to proceed in the face of resounding success it’s a lot harder to keep going when rejected or things don’t pane out as planned. I believe that successful people are those that respond well to failure. They learn to just keep on going as they have a strong belief in themselves and in what they want to do. They know they will eventually succeed and so they just keep moving forward, changing direction when one avenue fails and trying a different approach.

In fact I think this is the notable difference between those we view as very accomplished and those that never get far. Very few people never meet with failure or rejection, really probably no one. The questions is - what do you do when things don’t go well? Do you give up or do you continue to pursue your dream?

Moving Update

Yesterday was the last day of contractors in the house. It’s almost finished! Although I had hoped today would be a studio day I’ll be putting back the last of my furniture, washing windows, touching up a bit of paint, doing a bit of yard work, hanging the last few curtains. And of course putting some of my art back on the walls.

At 9am tomorrow morning I’ll have my first showing even though the house doesn’t officially go on the market until Tuesday. If you want to buy a gorgeous house in Parker Colorado let me know. It has an awesome studio.

Structures #43 - Moving Sale

I made Structures #43 a few years ago as a color study. This is the first of the thin line pieces that uses a different color family for the lines than for the ground. As I was just playing around I wasn’t getting too caught up in perfection. As a result I love the free flowing feeling of this piece that sometimes I fail to capture in my work if I get too analytical. I can tell when I into that right brain grove of making art as everything flows and it’s effortless. This piece is also available as part of my moving sale. Originally priced at $750, it is $450 until June 15.

If you are interested in purchasing Structures #43, or any of my available artwork please email me.

Detail of Structures #43:

Structures #18    ©2003    8" x 9"

 
More thoughts on the design principles from my kids’ Expeditionary Learning school and how they relate to being an artist.

Design Principle #2: The Having of Wonderful Ideas

Teach so as to build on children’s curiosity about the world by creating learning situations that provide matter to think about, time to experiment, and time to make sense of what is observed. Foster a community where students’ and adults’ ideas are respected.

Who doesn’t want to have wonderful ideas? And even better having those ideas respected. Did I mention I love my kids’ school? The kids are treated with respect and the teachers listen to their ideas. What an excellent way to build self-esteem.

Wonderful Ideas and Art

That design principle touches on a lot of points that I think are vital to making art.

1. Matter to Think About: ie Ideas. Art is all about ideas. Without an idea I don’t think an artist can start making a piece of art. Artists need a stockpile of ideas to inspire their work. They need to constantly feed their imagination and keep inspired. I find that the more I create the more ideas I generate.
2. Time to Experiment: Not every idea is fully developed and ready to turn into a masterpiece. I find that I need some time playing around and trying out different variations to flesh out some of my ideas. Playing around with materials with no set purpose in mind is another way to generate great ideas.
3. Time to Make Sense of what is Observed: After creating artwork I spend a fairly good chunk of time sitting back and looking at it. Thinking about what works, what doesn’t, where I want to go next, what I can improve upon, what I can do more of, what I can do less of, etc. I take notes in my sketchbook to keep track of these ideas.
4. A Community where Ideas are Respected: Putting ones artwork out into the world can be a scary thing. It’s hard not to take it personally when our art, which is a reflection of our ideas, is not accepted. Having a safe community that an artist can share their work is powerful. I’ve been a member of artist communities, both in real life and online, for dozens of years. The support and friendship are invaluable to building ones confidence in ones art (and ideas).

Design Principle #3: The Responsibility for Learning

Learning is both a personal, individually specific process of discovery and a social activity. Each of us learns within and for ourselves and as a part of a group. Every aspect of a school must encourage children, young people, and adults to become increasingly responsible for directing their own personal and collective learning.

As artists there are many things we need to learn. From mastering our craft to marketing our art. There are uncountable sources for learning anything we want to learn. Taking responsibility for that learning is instrumental to our success. If I want to sell my art I have to learn to market my art. No one owes it to me to teach me these things or do these things for me. I need to go out there and learn how to do it. I spent years perfecting my craftsmanship and my art is impeccably made and I’m proud of it. It’s now time to take responsibility for my art business education also.

Structures #18 - Moving Sale

Structures #18 is one of the first pieces in the Structures series with thin lines. It’s also available as part of my moving sale. Originally priced at $150, it is $90 until June 15.

If you are interested in purchasing Structures #18, or any of my available artwork please email me.

Detail of Structures #18:

Structures #25    ©2003    8" x 8"

Expeditionary Learning

I’ve mentioned before that my kids attend an Expeditionary Learning school. From their website:

Our approach combines rigorous academic content and real world projects — learning expeditions — with active teaching and community service. The ELS design focuses on teaching in an engaging way.

The schools have a set of 10 design principles that

express the philosophy of education and core values of Expeditionary Learning. Drawn from the work of Outward Bound’s founder Kurt Hahn, and other educational leaders, they shape school culture and provide a foundation for the moral purpose of schools.

I’ve been looking at these design principles the last few days as my daughter finishes up her portfolio for the year. Instead of grades the kids have to create a portfolio of their best work from the year and present it to a panel, which will determine if they are ready to pass onto the next grade.

The principles are not just a great way to teach kids, they are excellent guiding principles for anyone.

If the principles fail to become a way of life, then we have negated all that we have put into Expeditionary Learning.

Over the next few posts I’m going to share these design principles and some thoughts about how I think they relate to my being an artist.

Design Principle #1: The Primacy of Self-Discovery

Learning happens best with emotion, challenge and the requisite support. People discover their abilities, values, "grand passions," and responsibilities in situations that offer adventure and the unexpected. They must have tasks that require perseverance, fitness, craftsmanship, imagination, self-discipline and significant achievement. A primary job of the educator is to help students overcome their fear and discover they have more in them than they think.

Self-Discovery as a Artist

I’ve spent the last 2 days thinking about what to say about this in relationship to making art because for me this principle basically captures so perfectly what being an artist is all about. There isn’t much more to say. Discovering who I am and pushing myself into the unknown - yes. Much of it is about acknowledging the fear of creating and then just going on and doing it anyway.

I think having friends, mentors and a community is tremendously valuable for exactly what is written above - "discover they have more in them than they think". Yet I also think it is my responsibility to learn to overcome the fear on my own also. To push myself into something new and unexpected. Relying on others to always do the pushing doesn’t work for me. I think taking that responsibility for myself is extremely enriching and it’s where my best art comes from.

Moving Update

I have new carpet! I’m more than half done moving my furniture back in place and getting things ready for the house to go on the market on Tuesday, June 3rd. Lots of cleaning, minor repairs, last minute touchups, the last of the yard work: it’ll be a busy weekend and I can see the light at the end of the tunnel. I’m so excited!

The house looks fabulous. The yard looks awesome. My kids say our house is starting to look like a model home so we are headed in the right direction. And best of all I have 2 potential buyers chomping at the bit to see the house.

By sunday evening I hope to be back in my studio making art. Keeping the house clean for showings seems like a piece of cake compared to what it took to get this place in shape.

Structures #25 - Moving Sale

Structures #25 is one of the first smaller pieces I made in the Structures series. When I looked up the date to put in this post I realized I made it 5 years ago. Somehow it doesn’t feel that long. This piece is one I still love. It doesn’t have as much of the cringe factor (I love that phrase Stacey) as some of my older work. It’s originally priced at $175. With my moving sale it is $105 (until June 15).

If you are interested in purchasing Structures #25, or any of my available artwork please email me.

Detail of Structures #25:

Markings #12    ©2007    44"x 32"

Giving

One of the things we talked about in Christine Kane’s E-seminar in January was what she termed expansive giving. Sharing our resources because we are inspired to do so. It goes beyond donating money to charity and for some it’s related to tithing. Many that believe in the Law of Attraction have a bunch of rules about what constitutes this type of giving back to the universe.

I’ve always donated some portion of my income to charity each year but it’s never been a huge amount. When I made the decision to rearrange my life to make a living from my art I decided to build in the giving up front so it’s a part of my business.

At the end of each month I work through my art business finances and give 10% of my gross income to others. I’ve decided I don’t have any rules about what this might mean. Some months I’ve given the money to charities that support causes I believe in. Some months I’ve given the money to people that have helped me or inspired me. Some months I imagine I might buy something to support an artist or small business owner and then give the item to someone else. I can imagine all sorts of ways of giving back to my community and the universe without feeling trapped by someone else’s rules.

It’s been very fun the last few months to sit and think about where I want to give my money. And I’m thrilled to say that every month I’ve had at least of bit of income so I can give.

This month I sent a check to FINCA, an organization that provides financial services to the world’s lowest-income entrepreneurs so they can create jobs, build assets and improve their standard of living.

Courage

In many ways the point of expansive giving is about opening up and trusting that the universe always provides. That there will always be enough. It takes courage to not hold on to it all too tightly.

I know when I first make the big leap and quit my job I’ll be living a different standard of living. From software engineer to artist just starting down the road to being self-supporting. When I first thought about it I was pretty scared. Then Christine introduced the idea of giving away 10% of our income I thought "no way, I’ll barely have enough to live on". Those thoughts are about fear.

So I made the decision in January to commit a full 10% of my gross income to giving, sharing and donating. I don’t want to live my life being afraid. Courage is my word of the year and this is part of that. Trust and love are a lot more fulfilling than fear.

Moving Progress

I’ve had painters at my house all week painting inside and out. Everything inside has been draped in plastic for a few days as they were spraying the walls (I have an 18 foot high ceiling). So just like last week not much art is going on at my house. I’m out of the house all day and just home at night to sleep in beds in the middle of the room. My son thinks it feels like a haunted house in here with all the plastic.

This long weekend, it’s memorial day weekend here in the US, the unofficial start of summer. It isn’t going to be much of a holiday for my family. I’ll be working on small house and landscaping projects all weekend with the help of my kids.

We’re in the home stretch. I’ve now got a real estate sign in my yard that says "Coming Soon" with the goal of having that switch to "For Sale" the first week in June.

Markings #12 - Moving Sale

As I mentioned in my post yesterday, all of my artwork is for sale. The above piece is one of those pieces. It’s full retail price is $2500 and through June 15th it’s available for $1500.

For those curious about my pricing, it’s roughly $230-$260 per square foot based on the year it was made. I round up or down to reach an even number. If you are interested in purchasing Markings #12, or any of my available work please email me.

Structures #90, Structures #86, Structures #85
Structures #87, Structures #88, Structures #81
Structures #89, Structures #91, Structures #82

The Convergence of Two Events

One: To protect my artwork during painting and other remodeling activities I have all of it laid on a couple of tables in my basement covered in blankets. No dust or paint will get on it.

When the home repair work is done I’ll select a couple of pieces and hang them on the wall during the time the house is on the market. The rest of the artwork will be rolled up and stored until I move.

Two: One of the first major projects I plan to tackle, after I move and get settled, will be to finish the small book I started with images of my first solo show 2 years ago. I’m going to expand the book to cover the early pieces in my Structures series and add some of my writing.

To publish this book (self published) is going to require a pretty big chunk of start up money.

The Result

Thinking about all the art that needs to be moved and thinking about all of the money I will need to publish my book the obvious solution to ease both problems is to have a moving sale.

Between now and June 15th all of my work is 40% off. If there is a piece you have been wanting now might be the perfect time to buy it.

For example the work above is originally priced at $250 each. With this sale they are $150 a piece. [note: Structures #85 and #88 shown above are not currently available].

If you are interested in purchasing any of my available work please email me for availability and prices.

Square Dance #1    ©1999    14"x 14"

Miscellaneous Stuff in Random Order

• This week I received Alyson Stanfield’s new book in the mail - I’d Rather be in the studio! It’s beautifully designed and full of tons of useful promotion ideas and strategies for artists. I definitely recommend this book, and not just because I’m quoted. I helped Alyson by looking over the chapter about having an online presence and she turned one of my comments into a quote. Okay she had me write a quote in relationship to something I said about blogging. Check out page 112 for my brilliant comment.
• Super talented artist Deidre Adams has started a blog. She photographed some artwork for me and in exchange I showed her how easy wordpress is to use. So now we can all enjoy Deidre’s Blog.
• Today the last of my 450 postcards to promote my solo show Markings: Repetition and Pattern arrived. I order from Vistaprint - in several small orders (it’s the cheapest way) so they’ve been trickling in the last week. Tomorrow I’ll print out labels and stamp them and get them in the mail. I’m very happy we now have self adhesive stamps.

Making Room for the New

I’ve been listening to Cheryl Richardson on CD recently and she reinforces something that Christine Kane talks about in her retreats and eseminars. That of getting rid of things to make way for creativity and passion. I made a detailed list (what a surprise) of all the clutter in my house and I’m slowly tackling each corner, ruthlessly purging piles of stuff that I no longer need or want or that drains my energy.

One thing I’ve decided to do is sell most my older artwork. Much of it is hidden in a closet and serving no purpose. I’d love for it to find a home in this world if it speaks to someone. I hadn’t hit upon how to go about doing this but the other day when photographing artwork for some reason I grabbed this piece and added it in. I think the universe was telling me to just do it and stop thinking I had to have the perfect plan.

Beads

I love all of the work I’ve made in my path as an artist. I used to not feel this way, and hence it’s hiding in the closet. Sure some is better than others but all of it shows my growth,choices and progress. There is nothing to be ashamed of and there are some really cool pieces lurking in there.

I went through a phase where I was obsessed with beads. Bought tons of them. Thought I’d sew them on all my quilts. Instead I made just 2 or 3 embellished pieces. I then moved to the next thing in my development

[side note - the last year or so I got back into some beading work and when I finish the piece I’ll post it. I still love the beading - I just love the type of work I do now more. That’s a topic for another day - why I choose to narrowly define my focus with my artwork.]

The piece here, Square Dance #1, was started in a workshop with David Walker many years ago. I quilted it and added the beads later, completing the piece in 1999.

Detail of beading:

 
I’ve thought about listing these pieces on ebay or etsy but decided to list them on my website for now. As I work on the redesign to incorporate them I’ll list a few here on the blog.

This artwork is for sale and is $50 Sold. It’s signed Lisa Leutenegger on the front (as are all pieces made before 2001) and I’ve resigned it on the back with my birth name (Lisa Call).