Lisa Call

Dream #39
©2010 Lisa Call
34" x 34"
Textile Painting (Fabric hand dyed by the artist, cotton batting, cotton thread)
Purchase here

Please Join Me

Dwelling: An exhibit of textile paintings by Lisa Call
Macky Auditorium Gallery
University of Colorado at Boulder
Boulder, Colorado
February 17 – March 17, 2010
The gallery is free and open to the public on Wednesdays from 9 a.m. to 4 p.m. and to ticketed patrons during performances.

Opening Reception
Sunday, February 28, 2010
1:30-4:00pm
Artist Talk at 2:00pm

Directions
Parking Information

The Artwork

I’ve created a website with images from all of the artwork from the exhibit. See them here: Dwelling.

All of the artwork is for sale and can be purchased directly from that website. If you’d like, all artwork can also be purchased over 2 or more installments, please contact me to reserve your favorite textile painting now and make a deposit.

The ACEOs

I’m creating a limited series of ACEOs to compliment the larger artwork in the exhibit. The first 3 of these, all of which sold, were unveiled in my studio newsletter sent out on thursday evening.

Check my brand new artist trading card (aka ACEOs) webpage often for updates with additional Home themed aceos, my most affordable artwork. I’ll also update my blog when new cards are available.

All house themed artist cards will be discounted 15%, for a price of $34, during the run of Dwelling, which closes on March 17.

Upcoming Solo Exhibit

This article is part of a series of posts on the preparation for my upcoming solo exhibit, Dwelling, at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork for the exhibit as I’m creating it, check out my page on facebook: www.facebook.com/LisaCallFineArt.

The Pattern

Last thursday I woke up not feeling so well and after an hour in the studio decided going back to bed was the best option for the day.

I was better on friday although I didn’t work in the studio I did show up for the day job (virtually as working from home is a wonderful option).

I took it easy on the weekend and this week all was better.

Last week, the middle week of a 7 week plan to create all new artwork for my solo show, I had planned to put in 39 hours in the studio (based on my detailed plan). I ended up only getting in 23.

And it turns out the previous 3 weeks I was behind schedule also. So yesterday I sat down and replanned the remaining 3 weeks of time and am fired up to get everything finished. I have to put in a bunch of hours over the next 3 weeks to make my goal but it’s still doable.

This is pretty much my pattern. About half way through a project I tend to need a break so figured it would happen. Taking a break is good and it was fun to hang out and watch a bunch of mindless shows on my laptop (mostly the TV show Bones).

And while it’s a stretch, I’ll still get everything done one time, which means back to the studio for me for the rest of the evening.

Upcoming Solo Exhibit

This article is part of a series of posts on the preparation for my upcoming solo exhibit, Dwelling, at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork for the exhibit as I’m creating it, check out my page on facebook: www.facebook.com/LisaCallFineArt.

Writing an Exhibit Statement

This past weekend I completed my artist statement for the exhibit. It takes me a few weeks to write my statements as they go through several iterations before I finally settle on the final wording.

Words are much harder for me than images, probably why I’m a visual artist and not a poet or writer, but over the past 5 years I’ve gotten a lot better at writing. I attribute the majority of that improvement on my blogging. The more one writes the better one gets.

Kinda like making art also. Just keep doing it.

The Statement

Dwelling

Recently life has revolved around houses, starting with a move into the city after selling my large suburban home two years ago.

During an extensive remodel of my new abode, turning the small fixer-upper into a dream home and studio, I began creating the stick figure structures that became the Home series, as houses had permeated my thoughts.

Shortly after construction ended, I spent a month traveling in South Africa where I was captured by beauty and simplicity of the dwellings, which inspired the box like buildings in the Dream series.

The desire for a place to call home feels nearly universal. Most often it is linked to words such as security, comfort, happiness and belonging. A home is a container for our possessions, our love, our hopes and our dreams. It’s also where we feel safe to share our vulnerabilities, fear and disappointments.

The past few years I found myself contemplating these concepts of house and home often. What exactly defines a home? When does a house become a home? If four sheets of tin can become a home why do I desire a larger space to inhabit?

What makes your house your home?

Upcoming Solo Exhibit

Part of a series of posts on the preparation for my upcoming solo exhibit, Dwelling, at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork as I’m creating it, check out my page on facebook: www.facebook.com/LisaCallFineArt. Images of Home #10, in progress, were posted over the last few days.

If you become a fan (click the ‘become a fan button’) you’ll see these updates in your newsfeed. If you aren’t on facebook you can still check out the page every once in a while as it is public and you don’t have to be on facebook to see the images. So I can focus on creating the artwork I’m posting the images on facebook as it is quicker than posting them on my blog.

You’ve Got Mail

This morning I designed and ordered postcard invitations for my upcoming exhibit (front show above, back shown below). I have a mailing list of collectors, supporters, fans, family, acquaintances, etc that will receive the card.

My longer term goal with this mailing list is to send out a hard copy announcement 2-4 times a year. I’m getting fewer and fewer of these cards from artists and galleries as it is quite expensive in comparison to email so I think I will continue to send them, as they are a rare treat and will stand out more as fewer people are sending them.

[If you'd like to be added to my mailing list please email me.]

Creating the Invitation

I haven’t yet shared all the details of the office work entailed with the preparation for the exhibit and will soon. Today I’ll just touch on the creation of the postcard as it takes a fairly good chunk of time.

Yesterday I photographed the artwork and prepared the image for the front of the card. Earlier this week I worked with the gallery director to get approval of the text I was using on the back of the card.

With the content determined this morning I started work on the layout. I have no training in graphic design but I still find it great fun to play around with layouts. I used photoshop to do the work.

I decided on using a detail image for the front of the card as the textile painting was long and skinny and left too much white space at the bottom if used in it’s entirety. I find layout of the text most difficult as I know very little about what is supposed to work so I wing it and go with what looks okay to me.

I order my cards from Vistaprint so I use their template when designing the card. I’ve found that to get the file size small enough I have to save it as .pdf and so far the printing has turned out great. I always order the oversized card as I like the impact of the larger image.

Upcoming Solo Exhibit

Part of a series of posts on the preparation for my upcoming solo exhibit, Dwelling, at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork as I’m creating it, check out my page on facebook: www.facebook.com/LisaCallFineArt. Images of Home #10, in progress, were posted over the last few days.

If you become a fan (click the ‘become a fan button’) you’ll see these updates in your newsfeed. If you aren’t on facebook you can still check out the page every once in a while as it is public and you don’t have to be on facebook to see the images. So I can focus on creating the artwork I’m posting the images on facebook as it is quicker than posting them on my blog.

Project Planning

In my last post I said I’d check in next with my progress. Decided I first wanted share my detailed project plan for the 7 weeks.

A quick recap – I estimate I have 273 hours of studio time to prepare for my solo show.

I have 7 weeks to do the work so I estimated how many hours I could work each of the weeks based on vacations/holidays/etc.

Tracking how many hours I worked each week wasn’t going to be enough to make sure I was on track for my show. If the art took longer than estimated to create, I could work the number of hours allocated for each week and still not finish on time.

I do project planning type stuff at the software engineering day job so so decided to do some detailed planning for my solo show to ensure I really do stay on track.

Based on the number of hours for each week I divided up all the work that needed to be done. With my estimates for how long each of the tasks will take this was pretty straight forward.

Below is my detailed project plan. And next post I’ll talk about my progress and what it’s like to work with such a detailed plan in place.

Upcoming Solo Exhibit

Part of a series of posts on the preparation for my upcoming solo exhibit, Dwelling, at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork as I’m creating it, check out my page on facebook: www.facebook.com/LisaCallFineArt. Images of Home #10, in progress, were posted over the last few days.

If you become a fan (click the ‘become a fan button’) you’ll see these updates in your newsfeed. If you aren’t on facebook you can still check out the page every once in a while as it is public and you don’t have to be on facebook to see the images. So I can focus on creating the artwork I’m posting the images on facebook as it is quicker than posting them on my blog.

Is There Time?

In the last post I estimated it would take 273 hours to complete the artwork for this show.

With 7 weeks to do this work I came up with the following schedule at the beginning of the project. The time estimates for each week are based on work holidays.

In general I estimated I can work in my studio an average on 3 hours on work days (my day job takes up most of the time) and 8-12 hours per day on weekends and holidays depending on other activities I have planned for the weekend. To make it to 273 hours, I tossed in a few vacation days from work.

With the chart below I was able to convince myself there was time to get everything done and jumped in on Dec 27 to make it happen.

 
Tomorrow I’ll post how I’m doing as I’m 2 1/2 weeks into the project.

Upcoming Solo Exhibit

This is one of several posts about my preparation for my upcoming solo exhibit at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork as I’m creating it you can see my page on facebook: www.facebook.com/LisaCallFineArt. You don’t have to be on facebook to see this page, but if you are you can become a fan and see updates in your newsfeed.

Tasks

Last post was how much artwork I need. I will revisit this topic again and and write about how much art is needed to fill a gallery and how one figures this out – for now I’m going with this list:

1 quilt 3′ x 8′
2 quilts 4′ x 4′
4 quilts 3′ x 4′
2 quilts 3′ x 3′
18 quilts 12″ x 12″ (mounted on stretched canvas)

From this I needed to figure out how long it would take to make this artwork.

To make this simple I broke the work down into the the different tasks I do when making my textile paintings. These are:

• Compose - design of the quilt top and sewing it together.
• Baste - creating the traditional quilt layer (described in more detail here). I also cut the binding and sleeve and label at this time as I have the fabric out that matches the composition.
• Quilt - the stitching that holds the 3 layers together and gives the artwork texture. This phase generally takes the longest for me.
• Binding/Canvas – how I finish off the artwork. Larger work I put on a facing that is pulled to the back, much like a traditional quilt binding. For the smaller pieces I stitch them to stretched canvas.
• Hanging Device – the mechanism used the hang the art on the wall. For the larger pieces I put a long fabric tube on the back into which a board is place and the board is then hung on the wall. For the canvases I’ll add wires.

Time

From the tasks and artwork list I calculated the time it would take to do that task for each size. Fortunately I track my time in my studio so this was a pretty simple task.

My estimates:

 
Multiplying by the number for each size to reach a total time to create all of the artwork:

Finally adding in 5 hours for misc tasks such as painting the canvases and cutting the boards for hanging the total comes to 273 hours.

Next post I’ll talk about how I figured if I’d have time to put in this much time in my studio over 7 weeks (an average of 39 hours per week) while also working full time. Not to spoil the punch line, but good thing I have a bit of vacation time.

Overview

Over the next few weeks I’m going to share my process for preparing for my upcoming solo exhibit at Macky Gallery, Feb 17-March 17.

Mark your calendars now for Sunday, Feb 21 from 1-4 as that will be the opening reception with an artist talk at 2pm.

The gallery is only open to the public on wednesday from 9-4 this opening is the best time to see the show if you work during the day.

As I’m 2 weeks into a busy 7 week schedule I’ll be writing short blog posts each day and when the show is up I’ll summarize and fill in any missing pieces.

The Artwork

For this show I wanted to create all new artwork as that is my vision – larger artwork in the Home series as I discussed here.

With only 7 weeks before the work had to be delivered the first step was to figure out if that was realistic. For that I needed to figure out 3 things:

1. How much art work I needed
2. How long it would take me to make the artwork
3. How much time I had in the next 7 weeks to create the artwork

How Much Artwork

I’ve had 2 previous solo shows in this gallery so determining how much artwork I needed involved finding the schematic for the gallery and then counting up walls space.
This is the list of artwork that fit my vision and the gallery walls:

1 quilt 3′ x 8′
2 quilts 4′ x 4′
4 quilts 3′ x 4′
2 quilts 3′ x 3′
18 quilts 12″ x 12″ (mounted on stretched canvas)

So a total of 9 larger textile paintings and 18 smaller.

 
Next up with be my calculations for how long it should take to create this much art.