Exhibit Preparation – Mid Project Break

Upcoming Solo Exhibit

This article is part of a series of posts on the preparation for my upcoming solo exhibit, Dwelling, at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork for the exhibit as I’m creating it, check out my page on facebook: www.facebook.com/LisaCallFineArt.

The Pattern

Last thursday I woke up not feeling so well and after an hour in the studio decided going back to bed was the best option for the day.

I was better on friday although I didn’t work in the studio I did show up for the day job (virtually as working from home is a wonderful option).

I took it easy on the weekend and this week all was better.

Last week, the middle week of a 7 week plan to create all new artwork for my solo show, I had planned to put in 39 hours in the studio (based on my detailed plan). I ended up only getting in 23.

And it turns out the previous 3 weeks I was behind schedule also. So yesterday I sat down and replanned the remaining 3 weeks of time and am fired up to get everything finished. I have to put in a bunch of hours over the next 3 weeks to make my goal but it’s still doable.

This is pretty much my pattern. About half way through a project I tend to need a break so figured it would happen. Taking a break is good and it was fun to hang out and watch a bunch of mindless shows on my laptop (mostly the TV show Bones).

And while it’s a stretch, I’ll still get everything done one time, which means back to the studio for me for the rest of the evening.


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Exhibit Preparation – The Exhibit Statement

Upcoming Solo Exhibit

This article is part of a series of posts on the preparation for my upcoming solo exhibit, Dwelling, at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork for the exhibit as I’m creating it, check out my page on facebook: www.facebook.com/LisaCallFineArt.

Writing an Exhibit Statement

This past weekend I completed my artist statement for the exhibit. It takes me a few weeks to write my statements as they go through several iterations before I finally settle on the final wording.

Words are much harder for me than images, probably why I’m a visual artist and not a poet or writer, but over the past 5 years I’ve gotten a lot better at writing. I attribute the majority of that improvement on my blogging. The more one writes the better one gets.

Kinda like making art also. Just keep doing it.

The Statement

Dwelling

Recently life has revolved around houses, starting with a move into the city after selling my large suburban home two years ago.

During an extensive remodel of my new abode, turning the small fixer-upper into a dream home and studio, I began creating the stick figure structures that became the Home series, as houses had permeated my thoughts.

Shortly after construction ended, I spent a month traveling in South Africa where I was captured by beauty and simplicity of the dwellings, which inspired the box like buildings in the Dream series.

The desire for a place to call home feels nearly universal. Most often it is linked to words such as security, comfort, happiness and belonging. A home is a container for our possessions, our love, our hopes and our dreams. It’s also where we feel safe to share our vulnerabilities, fear and disappointments.

The past few years I found myself contemplating these concepts of house and home often. What exactly defines a home? When does a house become a home? If four sheets of tin can become a home why do I desire a larger space to inhabit?

What makes your house your home?


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Exhibit Preparation – The Postcard Invitation

Dwelling - exhibit postcard ©2010 Lisa Call

Upcoming Solo Exhibit

Part of a series of posts on the preparation for my upcoming solo exhibit, Dwelling, at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork as I’m creating it, check out my page on facebook: www.facebook.com/LisaCallFineArt. Images of Home #10, in progress, were posted over the last few days.

If you become a fan (click the ‘become a fan button’) you’ll see these updates in your newsfeed. If you aren’t on facebook you can still check out the page every once in a while as it is public and you don’t have to be on facebook to see the images. So I can focus on creating the artwork I’m posting the images on facebook as it is quicker than posting them on my blog.

You’ve Got Mail

This morning I designed and ordered postcard invitations for my upcoming exhibit (front show above, back shown below). I have a mailing list of collectors, supporters, fans, family, acquaintances, etc that will receive the card.

My longer term goal with this mailing list is to send out a hard copy announcement 2-4 times a year. I’m getting fewer and fewer of these cards from artists and galleries as it is quite expensive in comparison to email so I think I will continue to send them, as they are a rare treat and will stand out more as fewer people are sending them.

[If you'd like to be added to my mailing list please email me.]

Creating the Invitation

I haven’t yet shared all the details of the office work entailed with the preparation for the exhibit and will soon. Today I’ll just touch on the creation of the postcard as it takes a fairly good chunk of time.

Yesterday I photographed the artwork and prepared the image for the front of the card. Earlier this week I worked with the gallery director to get approval of the text I was using on the back of the card.

With the content determined this morning I started work on the layout. I have no training in graphic design but I still find it great fun to play around with layouts. I used photoshop to do the work.

I decided on using a detail image for the front of the card as the textile painting was long and skinny and left too much white space at the bottom if used in it’s entirety. I find layout of the text most difficult as I know very little about what is supposed to work so I wing it and go with what looks okay to me.

I order my cards from Vistaprint so I use their template when designing the card. I’ve found that to get the file size small enough I have to save it as .pdf and so far the printing has turned out great. I always order the oversized card as I like the impact of the larger image.

 
Dwelling - exhibit postcard ©2010 Lisa Call


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Exhibit Preparation – Plan for the Artwork – Part 4

Upcoming Solo Exhibit

Part of a series of posts on the preparation for my upcoming solo exhibit, Dwelling, at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork as I’m creating it, check out my page on facebook: www.facebook.com/LisaCallFineArt. Images of Home #10, in progress, were posted over the last few days.

If you become a fan (click the ‘become a fan button’) you’ll see these updates in your newsfeed. If you aren’t on facebook you can still check out the page every once in a while as it is public and you don’t have to be on facebook to see the images. So I can focus on creating the artwork I’m posting the images on facebook as it is quicker than posting them on my blog.

Project Planning

In my last post I said I’d check in next with my progress. Decided I first wanted share my detailed project plan for the 7 weeks.

A quick recap – I estimate I have 273 hours of studio time to prepare for my solo show.

I have 7 weeks to do the work so I estimated how many hours I could work each of the weeks based on vacations/holidays/etc.

Tracking how many hours I worked each week wasn’t going to be enough to make sure I was on track for my show. If the art took longer than estimated to create, I could work the number of hours allocated for each week and still not finish on time.

I do project planning type stuff at the software engineering day job so so decided to do some detailed planning for my solo show to ensure I really do stay on track.

Based on the number of hours for each week I divided up all the work that needed to be done. With my estimates for how long each of the tasks will take this was pretty straight forward.

Below is my detailed project plan. And next post I’ll talk about my progress and what it’s like to work with such a detailed plan in place.

project plan ©2010 Lisa Call


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Exhibit Preparation – Plan for the Artwork – Part 3

Upcoming Solo Exhibit

Part of a series of posts on the preparation for my upcoming solo exhibit, Dwelling, at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork as I’m creating it, check out my page on facebook: www.facebook.com/LisaCallFineArt. Images of Home #10, in progress, were posted over the last few days.

If you become a fan (click the ‘become a fan button’) you’ll see these updates in your newsfeed. If you aren’t on facebook you can still check out the page every once in a while as it is public and you don’t have to be on facebook to see the images. So I can focus on creating the artwork I’m posting the images on facebook as it is quicker than posting them on my blog.

Is There Time?

In the last post I estimated it would take 273 hours to complete the artwork for this show.

With 7 weeks to do this work I came up with the following schedule at the beginning of the project. The time estimates for each week are based on work holidays.

In general I estimated I can work in my studio an average on 3 hours on work days (my day job takes up most of the time) and 8-12 hours per day on weekends and holidays depending on other activities I have planned for the weekend. To make it to 273 hours, I tossed in a few vacation days from work.

With the chart below I was able to convince myself there was time to get everything done and jumped in on Dec 27 to make it happen.

studio time estimates

 
Tomorrow I’ll post how I’m doing as I’m 2 1/2 weeks into the project.


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Exhibit Preparation – Plan for the Artwork – Part 2

Upcoming Solo Exhibit

This is one of several posts about my preparation for my upcoming solo exhibit at Macky Gallery, Feb 17-March 17 with an opening reception Sunday, Feb 21 from 1-4 and artist talk at 2pm.

To see photos of the artwork as I’m creating it you can see my page on facebook: www.facebook.com/LisaCallFineArt. You don’t have to be on facebook to see this page, but if you are you can become a fan and see updates in your newsfeed.

Tasks

Last post was how much artwork I need. I will revisit this topic again and and write about how much art is needed to fill a gallery and how one figures this out – for now I’m going with this list:

1 quilt 3′ x 8′
2 quilts 4′ x 4′
4 quilts 3′ x 4′
2 quilts 3′ x 3′
18 quilts 12″ x 12″ (mounted on stretched canvas)

From this I needed to figure out how long it would take to make this artwork.

To make this simple I broke the work down into the the different tasks I do when making my textile paintings. These are:

  • Compose - design of the quilt top and sewing it together.
  • Baste - creating the traditional quilt layer (described in more detail here). I also cut the binding and sleeve and label at this time as I have the fabric out that matches the composition.
  • Quilt - the stitching that holds the 3 layers together and gives the artwork texture. This phase generally takes the longest for me.
  • Binding/Canvas – how I finish off the artwork. Larger work I put on a facing that is pulled to the back, much like a traditional quilt binding. For the smaller pieces I stitch them to stretched canvas.
  • Hanging Device – the mechanism used the hang the art on the wall. For the larger pieces I put a long fabric tube on the back into which a board is place and the board is then hung on the wall. For the canvases I’ll add wires.

Time

From the tasks and artwork list I calculated the time it would take to do that task for each size. Fortunately I track my time in my studio so this was a pretty simple task.

My estimates:

 
Multiplying by the number for each size to reach a total time to create all of the artwork:

 

Finally adding in 5 hours for misc tasks such as painting the canvases and cutting the boards for hanging the total comes to 273 hours.

Next post I’ll talk about how I figured if I’d have time to put in this much time in my studio over 7 weeks (an average of 39 hours per week) while also working full time. Not to spoil the punch line, but good thing I have a bit of vacation time.


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Exhibit Preparation – Plan for the Artwork – Part 1

Overview

Over the next few weeks I’m going to share my process for preparing for my upcoming solo exhibit at Macky Gallery, Feb 17-March 17.

Mark your calendars now for Sunday, Feb 21 from 1-4 as that will be the opening reception with an artist talk at 2pm.

The gallery is only open to the public on wednesday from 9-4 this opening is the best time to see the show if you work during the day.

As I’m 2 weeks into a busy 7 week schedule I’ll be writing short blog posts each day and when the show is up I’ll summarize and fill in any missing pieces.

The Artwork

For this show I wanted to create all new artwork as that is my vision – larger artwork in the Home series as I discussed here.

With only 7 weeks before the work had to be delivered the first step was to figure out if that was realistic. For that I needed to figure out 3 things:

  1. How much art work I needed
  2. How long it would take me to make the artwork
  3. How much time I had in the next 7 weeks to create the artwork

How Much Artwork

I’ve had 2 previous solo shows in this gallery so determining how much artwork I needed involved finding the schematic for the gallery and then counting up walls space.
This is the list of artwork that fit my vision and the gallery walls:

1 quilt 3′ x 8′
2 quilts 4′ x 4′
4 quilts 3′ x 4′
2 quilts 3′ x 3′
18 quilts 12″ x 12″ (mounted on stretched canvas)

So a total of 9 larger textile paintings and 18 smaller.

 
Next up with be my calculations for how long it should take to create this much art.


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New ACEOs and More Doing

Abstract Contemporary Textile Painting / Art Quilt - ACEO #38 ©2009 Lisa Call

ACEO #38
Textile Painting
©2009
3.5" x 2.5"
$40
Purchase Here

 
 
Abstract Contemporary Textile Painting / Art Quilt - ACEO #36 ©2009 Lisa Call

ACEO #36
Textile Painting
©2009
3.5" x 2.5"
$40
Purchase Here

 

New Artwork

These 2 new aceos are a bit of a departure for me. To date all of my aceos (except I think #2) have been inspired by existing artworks by use the same fabrics as I used in a larger textile painting. These 2 I just went with some hot summer colors and had fun with them. Same with ACEO #37, which I posted the other day, loved that bright bright yellow to play with.

It feels really good to have new work coming out of my studio again. It seems everything has been on hold for about 5 months so this is way cool.

Because I sold all my small work in January it’s also been a chunk of time with not much income coming in. Between the art sales and fabric sales (sold half of them the first night), I’ve got a bit of cash flow again. Woohoo. So tomorrow I’ll be ordering more fabric for dyeing.

Thanks everyone for the support.

Really Super Productive Week

In addition to getting in 18 hours in my studio (3 over my goal of 15 per week) I also worked on my art business 28 hours this week (along with the 40 hours at the day job).

At the beginning of the week I worked out a method on how to record and track art business time and after I refine it over the next few weeks I’ll post details on what I’m doing.

My inbox is down to 29 emails again and this time I’ve figure out a way to process emails that seems to be working. Again – after I get it refined a bit (as in figure out what the heck I’m actually doing that seems to work) I’ll write about that also.

Now I need to focus on getting caught up on blog comments. I think there is about a month outstanding. And the last 2 posts about my studio need to come to closure.

Completion – it’s good thing to feel, things are really clicking for me and I’m loving working on my art.

Weekly Planning

Now I’m off to do my weekly planning. My super high productivity will slow down a bit. My planning needs to reflect the expected time with kids.

As it’s summer, the kids’ schedule is a bit wonky. I’ll have another 5 days with them at their dads, then they return on friday and be with me until July 5th. So the number of hours getting things done will decrease as they still like spending time with me (sometimes – being teenagers it becomes less and less each month so I try to maximize the time I can with them.)

Photography and Weeds

I’m very happy with how much better my photography is turning out these days. I still have a bunch to learn but I’m not nearly as frustrated as I was before.

My second private photo class is sunday. Time to talk printing, then I can get on some old todos that require a printed portfolio.

I’m also meeting with my builder this weekend to talk about a covered patio. I can’t afford to build it at the moment but I need to put in some landscaping so I’m going to get a design so I can plan the rest of the yard accordingly.

I had hoped to do landscaping earlier but the universe had other plans for that money, so now I’m working on plan B, which is do the minimal to keep from getting a big fine for not having any landscaping. Got my first nasty-gram from the city last week. Oops! Apparently 2 foot high weeds are frowned upon.

This is what happens when you work 86 hours a week. Something has to give:

Lots of weeds around the house


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Specific Goals

Abstract Contemporary Textile Painting / Art Quilt Structures #73 In Progress ©2009 Lisa Call

Structures #73In Progress
Textile Painting
©2009 Lisa Call
Detail

 

Holiday Weekend

This 3 day weekend I work in my studio 16 hours. It was the first weekend it felt like home again. I’ve loved having the space but hadn’t really felt it was broken in yet. Now it does.

I’m most thankful it rained all weekend, so I relieved myself of all responsibility for pulling the nearly 2 foot tall weeds in the landscape free yard. The day will come when I’ll have to deal with that issue, but with the rain I was free to just make art.

I’m nearly finished putting the surface stitching (quilting) on Structures #73 and started some new ACEOs. The first ones of the year.

I also made big progress on Structures #100. I decided to make it the first new larger piece I designed in my new studio and it went together well. The composition is done so now I need to get it basted so I can start quilting it also.

Planning

It feels great to be motivated to make art again. Seems like it’s been a long time.

After my post a few days about about adding some more structure to my studio time, I decided to set some specific goals for the year to keep me motivated.

For 2009 my studio goals:

- 550 or more hours of studio time (~10 hrs a week)
- 256 or more days making art (70% of the days in the year)

As of today I’ve put in 126 hours in the studio and made art 68 days this year. To make my goals I’m going to have to make art pretty much every day for the rest of the year and put in at least 15 hours a week.

I’m be in South Africa for nearly a month later this summer, so I’ve factored in that time away from the studio also.

As a point of reference, in 2007 I put in 870 hours in my studio. The year I had a very clearly defined goal of 20 hours a week in my studio.

In 2008 it was 446 hours in the studio. A year with the laid back “let’s not set specific goals” plan. I also sold my house, moved into a house with no studio and started a major construction project – so to be fair I was a bit busier also.

Next up is going to be doing some planning and setting specific goals for the business side of art. I’ve been very reluctant to do that in the past and I think it’s time to get more serious about tracking the hours I spend on the business and keeping a better schedule.

I have big ideas of things I’d like to accomplish – specific goals will help me get there.


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How to Get Stuff Done

Page from my Sketchbook ©2008 Lisa Call

Page From My Sketchbook Used to Track Studio Time (click to see larger image)

Tracking Studio Time

I wasn’t planning on writing tonight but I want to write this down while I still remember the thoughts I had today thinking about the post I wrote last night and some of the comments that were left.

I mentioned several times on my blog that I track my studio time. The posts I wrote early in 2008 ( This One and Another One ) are very interesting reads.

These posts indicate a change I made in tracking studio time. I went from being very systematic about it, to taking a more laid back approach. It was all part of the search for who I wanted to be.

I’ve since decided that is a bunch of crap-ola. Yep – I’m going back to a definite plan for how much work I want to get down in my studio.

It Didn’t Work

I discovered that trying to take the "Oh, It doesn’t matter, I’m more floaty and creative if I don’t put rules around it" approach to studio time resulted in my getting significantly less done.

In Jan-Mar of 2008, right after I devised that crazy scheme, I did basically nothing in my studio. My kids were in Europe – I was home alone – there were no excuses or distractions. It was simply me being less systematic. As a result I would often say "I’m tired" or "I don’t feel like it" and stuff like "I’ll do it tomorrow".

None of that stuff really results in things getting done. Instead it’s a good way to get nothing done but have a lot of lofty reasons for why I didn’t.

Like "self care is just so much more important than making art". Hm – NOT! Making art is the #1 thing I say I want to spend my time doing. Not avoid doing.

Why Does A System Work?

So I’ve thought a lot about why my old way of doing things, with rules and precise tracking, worked and I think the answer is it is basically the same thing as setting a timer.

There has been tons written about boosting productivity by using a timers (check out these google results). I think my old plan was essentially that. I timed myself.

When I walked into the studio I trained myself to look and the clock. That was it – timer was running. I didn’t stop working until the time was a even increment of 15 minutes. And then I wrote it down.

Because the timer was running I wasn’t tempted to run off and do other stuff, like check email or do my laundry.

When I left my studio the timer was off – I wasn’t racking up minutes. So I’d hurry back to get the timer going again.

I know this sounds kinda crazy but after seeing it in action and reading all the timer and productivity stuff (my favorite person that write about this is Christine Kane) I’m convinced – it really works. And not just for studio stuff. I now use a timer for my writing and planning art business stuff now also.

I have been spending 15 minutes each morning entering addresses into my snail mail mailing list. Fifteen minutes isn’t a lot but over time it adds up and with no big drama effort, I’m going to have the last 18 months of avoiding this task whipped into shape.

Going with No Goals

In my attempt to be more floaty I also gave up setting goals for how many hours I would spend in my studio each week. I decided to just let it happen. As I mentioned – it didn’t.

What happened is the emotional side of me got all excited and it had a field day. Woohoo – we get to run the show and stop her from doing what she wants.

I only made art when I felt like it. Or when I magically had time.

Okay – really – I work full time as a software engineer. I’m a single mom every other week with 2 teenagers constantly wanting stuff. I own my home, have to pay the bills and do all those house things that need done. There is the yard (okay there was the yard – it’s now dirt). Family, friends, quack quack quack.

I don’t have time to put in 20 hours a week in my studio so of course if I give myself an out I’m going to take it. There weren’t any goals so it didn’t matter. No disappointment so why bother doing it.

Thumbs Up To Goals

So forget that no goals thing. I’m now setting my goal to 15 hours a week. I’m making it lower than before because I also plan on doing a lot more art business stuff than I used to.

By setting goals I have something to aim for. I may not always make that goal but by identifying it and writing it down I have a much better chance of making my goal than without writing it down.

By setting goals I am no longer giving the emotional side of me free reign to do what I want. I get scared or worried or anything about what I’m working on. Great – recognize the feelings – but I’m not going to let it stop me from pushing forward.

Eventually those feelings realize they aren’t in control and they get a little less loud.

By setting goals and being systematic I’m significantly more creative and make much more art than when I’m all new-agey. Trying to be like those non-driven people I sometimes think I should be like, who always seem more creative and spontaneous and fun, didn’t work for me at all.

I need structure and systems for my creativity to work.


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