Lisa Call

ACEO #12
3 1/2″ x 2 1/2″
sold

 
A few unrelated topics…
 

Twitter

A series of articles I’ve read related to social media:

1) In a recent post, titled A Spectacular Way to Avoid Doing What Really Matters, Clint Watson definitively states:

Unfortunately, I keep seeing artists who seem to think that Twitter is some sort of revolutionary marketing tool that will help them sell art. It won’t.
…
Why ANY artist would think that sending a “Twit” is a better use of their time than creating art is totally beyond me.

 
2) A recent post by Seth Godin titled The small-minded vision of the technology elite:

"There is no reason for any individual to have a computer in his home."
—Ken Olsen, ceo of DEC,

Only 31 years ago. DEC was one of the leading computer companies of the day, but not for long.

Take a look at the geek discussion boards and you’ll see an endless list of sharp-tongued critics, each angling to shoot down one idea or another.
…
PS the marketing elite have precisely the same problem.

 
3) An interesting point of view by Bill Weaver is presented in an article on his new blog The Artists Center: What’s up with social media.

I recommend the entire article and here’s a small bit:

So last year when I found out about Twitter I joined but really didn’t get it until the last few months. Coupled with my Facebook toolbar for Firefox I now get regular little blurbs that pop up on the bottom of my screen whenever one of the people I am connected with has something to say. That very action has allowed me to get to know what used to be pretty close to complete strangers. As a result, I have several potential partners for workshops or seminars each having a strong skill I am lacking in. I hinted above about communities, again this is one of the things social scientists have found occuring more and more as a result of staying connected with each other.

 
4) My twitter profile: twitter.com/lisacall (guess that makes it clear where I fall in the conversation).
 

PFD Fabric For Sale

As I’ve mentioned before I purchase the PFD (Prepared For Dye) fabric directly from Kaufman. I love this tight weave, high quality, 100% cotton pimatex fabric. It’s very dense and in my opinion some of the best fabric out there for making quilts (definitely a matter of opinion). I wrote a post about this fabric here: Kaufman PFD Pimatex Fabric

Kaufman has changed their rules for keeping my account active and I need to purchase more fabric than I can use each year. Would anyone be interested in purchasing some of this fabric from me? The cost would be around $5 a yard (including shipping). Unfortunately I don’t have the time to investigate shipping out of the US so currently this offer is for US residents only.

If you’d be interested in purchasing some fabric please send me email and I’ll see if there is enough interest to pursue this. I sure hope so cause I LOVE this fabric and don’t want to lose my account.

ACEO #12

Last night I didn’t get to my studio until about 9:00pm. I finished construction of Structures #99 before work so the next step was to piece the back and baste the quilt. I was in no mood for that so instead I decided to make an ACEO. This artist trading card is a combination of the bright colors from Structures #98 and the more somber dark gray/browns from Structures #99 as they were jumbled together on my cutting table.

If you are interested in purchasing ACEO #12 please send me email. It is $21 US and includes shipping to anywhere (I accept payment via paypal or check). It’s sold.

ACEO stands for “art cards, editions and originals”. Originally known as ATC, Artist Trading Card, and are traded between artists. When sold to the public they are referred to as ACEOs. The primary rule for an ACEO or ATC is they be 3 1/2″ x 2 1/2″ - the size of a trading card. They are created in many different mediums and are collectible, trade able and affordable art for everyone.

Backside:

Fall in Colorado

The weather is Colorado is beautiful this time of year. Warm days, cool clear nights (well except for the recent rain). It’s beautiful. This is the view from Jim’s deck up in the mountains. Visiting my boyfriend is better than going on vacation. I love living in this state (I know I said this same thing just the other day - I’m very grateful for my life!).

Structures #57    ©2006    33"x 66"

Putting out Fires

In a recent post titled Managing Urgencies Seth Godin writes:

Do you have a plan?

A long or medium term plan for your brand or your blog or your career or your project?

You can have grand visions for remodeling your house or getting in shape, but if there’s a fire in the kitchen, you drop everything and put it out. What choice do you have? The problem, of course, is that most organizations are on fire, most of the time.

In my post a few days ago about getting things done I talked about how excited I was to be making progress on projects that previously were ignored due to lack of urgency of the project.

This had become my default behavior:

Add up enough urgencies and you don’t get a fire, you get a career. A career putting out fires never leads to the goal you had in mind all along.

Last year I entered a bunch of juried shows instead of working on some bigger projects that require more effort and will take longer to yield results. Juried shows are easy, fill out a form and send off a CD and some money and there is illusion of progress when the acceptance letter arrives.

Stagnating in the Fire

Problem is these shows don’t do much for my career anymore. In the beginning they were great. They were the big goal and they got me what I was after, a resume filled with quality shows to give me the foundation for bigger things.

Thing is I’ve been doing this for 10 years - my resume is plenty long with lots of juried shows - they no longer provide much value and they are starting to look like they are my career and not just the initial step forward.

The past few months I paid the price of having entered all those shows putting out fires of the resulting acceptances. Doing paperwork, packaging and shipping work.

No time was left to work on the bigger projects like completing the redesign of my website, sending out my first studio newsletter (a project that has been on hold for over a year as it is never urgent) or lining up gallery representation. Things I’ve clearly identified as important for moving me forward.

Small Steps to Move Forward

As I said a few days ago. No More!

Basically I’m doing exactly what Seth mentions here:

I guess the trick is to make the long term items even more urgent than today’s emergencies. Break them into steps and give them deadlines.

I’ve identified the big projects that will propel my art career forward in a big way and now I’m defining the next steps that need to be taken to create my new reality. When I look at my next actions list I want to look at actions that are simple and easily doable. Things like:

• Determine List of Newsletter Articles
• Write Introduction to Newsletter
• Select template for new website
• Create header for new website

I don’t put ‘write newsletter’ on the list as that’s just too overwhelming and I won’t ever get to it.

Deadlines

In addition to the small steps I’m also setting deadlines as Seth mentions. Now I’ll make one of those goals public as it’s fast approaching and I’m committed to making that goal.

My first studio newsletter will be sent by March 31. I’ve already made some nice progress on the project and am excited about it. [sneak preview: I’m making 3 new aceos (artist cards) inspired by 3 pieces from my Markings series. These will be available to my subscribers via my newsletter].

To subscribe to my studio newsletter, to be sent 4 times a year, enter your email address below:

 
I will never share or sell your email address and will only use it for the purpose stated above. All emails sent will include a link to unsubscribe should you decide you are no longer interested.

Structures #57

I posted an image of Structures #57 in this post a year+ ago but the color was off. I recently got this piece back from the art center where it was on display and rephotographed it. These are more accurate colors.

I love the blue thread over the red fabric in the surface stitching of this piece. Actually I just love the entire thing. A few years back I said I didn’t use much red, now I’m finding I’m using it more and more and really love the results. Maybe Cathy Kleeman’s influence, she uses red often and well.

 
Are you putting out fires?